Ice-T Kicks Off The Players Tour With Style
LOS ANGELES -- If clothes do indeed make the man, then the new Ice-T is out
to prove that he is a man among men.
Decked out in black-velvet pants and jacket, a black fedora and what appeared to be an
ankle-length mink coat, the artist who pioneered gangsta rap with words rather than
wardrobes kicked off his first tour in more than a year on Friday night by making
something of a fashion statement.
The veteran rapper, whose new music is less about politics and more about material
goods, emerged onstage at the intimate Key Club on the Sunset Strip decked out to the
nines. Rounding out Ice-T's funky fashion statement was his hair, which he'd had curled
in perfect, chin-length ringlets.
"This is nice. Nice crowd. We can tell jokes," he mused as he looked out from the stage.
He made a few off-color wisecracks that got the crowd laughing and said, "Ice-T lounge
act, takin' it to Las Vegas," before crooning a few loungy bars of his 1988 hit "Colors."
Ice-T (born Tracy Marrow) launched what he's calling the Players Tour in this playful
spirit, remaining in character as a player throughout the night, calling out for "ladies" and
"b----es" and "homies" and "niggas." It is Ice-T's ability to change his colors, perhaps, that
has helped him persevere through so many generations of the here-today,
gone-tomorrow rap world.
At 39, he is embarking on a 25-city tour to promote his new record, The Seventh
Deadly Sin, which includes some of the most dance-oriented material of his career.
On the latest album, Ice-T has mostly abandoned socially conscious lyrics for new raps
that focus more on the money he has accumulated and the things he can buy. In the end,
it's all part of the player's game, he'll tell you, and his fans are only too happy to have
him back any way they can.
"I grew up in L.A.," said Tom Horn, 26, of Los Angeles. "I've been listening to Ice-T
practically all my life. I'm psyched to see him playing out again."
The evolution of such a lengthy career was apparent during the show. About 200 fans
were treated to an early version of sampling with "I'm Your Pusher," from 1988's
Power, in which Ice-T rapped over the instrumental to Curtis Mayfield's
"Pusherman." As beats slammed around the theater, he then rocked the house with a
stuttering and scratching version of "Colors." Likewise, his new songs, such as the title
cut "Seven Deadly Sins," thumped with macho lyrics and phat beats.
During the gig, Ice-T was joined by a posse of rappers, including King T, Smoothe Da
Hustler and Trigger Tha Gambler. A real surprise was the appearance of KRS-One --
scheduled to perform later that night at the House of Blues -- who joined in for some
freestyling at the close and pleaded with DJ Evil E to slow the beat down to something
mellow.
During the raucous freestyle session, Ice-T remained an island of calm amidst the
onstage frenzy of bobbing and gesturing rappers.
Two enthusiastic female concert-goers in braids pumped it up for his radio hits. More
than once, audience members climbed onto dancers' podiums at the sides of the room,
wiggling and grinding on the brass poles there like amateur strippers. Three camcorders
bobbed around the room and the photographers swarmed to record the dancers' moves.
Emerging with Ice-T's crew, one cameraman diligently taped each rapper, getting
closeups while trying to stay out of the way. Otherwise, the stage was bare, with Ice-T up
front, joined by whomever he called to help with each song. At one point, Ice-T asked for
the stagelights to be turned down -- the bright lights were flooding the stage, making it
look almost more like a soundcheck than a show. As they remained bright, he wryly
commented, "I bet if Prince was on this motherf---in' stage, the lights would come down,"
and they promptly did.
DJ Evil E stood on an elevated podium, doing some mixing and scratching, and the other
players hung back, waiting for their turn up front. As the evening grew later, the crowd
formed a semi-circle, bobbing to the beat. KRS-One, in a bright-yellow T-shirt, stood
almost a head taller than the rest. But still, Ice-T stood out.
"Ice-T is dope!" said a smiling Tammy Jackson, 27, of Los Angeles, as she stepped
breathlessly off the dance floor. The devoted fan said she has Ice-T's records, has seen
some of his films and has even watched his television show, "Players."
Ice-T's acting skills were evident in concert, as well, whether he was posing as the
hardest man around or singing about hanging with his "set" and doing time.
HREF="http://www.addict.com/music/Ice-T/O.G._Original_Gangster.ram">"O.G. Original
Gangster" (RealAudio excerpt).
Some of Ice-T's older songs referred to getting out of the ghetto by using brain power
and staying away from drugs. That positive message stood in contrast to the controversy
that followed the rapper in the early '90s, when Ice-T's metal band, Body Count, openly
challenged the police with the cut "Cop Killer."
Despite a backlash from conservative groups and law-enforcement officials, the rapper
went on to become one of the top-selling gangsta acts in the business over the past
decade.
As the title of Ice-T's 1987 debut album astutely observed, Rhyme Pays.
You don't need to look much farther than his wardrobe these days to figure that one out.