Pavement Gets Psychedelic With Brighten The Corners
Pavement, with Brighten the Corners, has succeeded in gaining the
sort of indie-rock buzz that used to be their forte. And deservedly so.
Playful, free-associative lyrics, indelibly joyous classic-rock riffs,
mixed with a teenager's enthusiasm mixed with a twentysomething's cynicism
all combine to create the type of album that mailing lists are fawning
over, reviewers are praising, and people are generally talking about
it. (Perhaps or perhaps not relevant: the fact that Brighten the
Corners is the only Pavement album proper not to have a rhyming title:
Slanted and Enchanted, Crooked Rain, Crooked Rain, and the
aforementioned Wowee Zowee preceded it in '92, '94, and '95,
respectively.)
The album starts with the infectious, anthemic "Stereo," which has already
produced the rock world's weirdest reference to Rush's Geddy Lee as well
as some hope that, after a discouraging 1996, 1997 will produce good,
occasionally even great music that you can throw on, get in a car with
your friends, and listen to really loudly while driving around with the
windows down. With Steve Malkmus's vocals and Mark Ibold's bass mixed more
prominently (Brighten the Corners was recorded by Mitch Easter, who
worked with R.E.M. on the equally vocally perplexing Murmur, and
Bryce Goggin), Malkmus consistently flirts with the listener, no more so
than in a song-song sliver of nonsense: "Wave to the camera / It took a
giant ramrod"...but nonsense that means something, man. Indeed,
it's hard to tell whether Malkmus is being smugly self-aware--"I'm on the
stereo / My baby baby baby" he shouts during the chorus--or endearingly
deprecating--this line is followed by "Gave me malaria hysteria." As on
Crooked Rain's "Range Life," where most folks ignored the subtle
"I've/they've don't got function" in the midst of his diss of the Smashing
Pumpkins, Malkmus's lyrics are impishly coquettish throughout the album.
Brighten the Corners, which Matador head-honcho Gerard Cosloy takes
the time to inform people in a press release, is the first album which
Pavement really recorded as a band; previously, tracks would be laid down
one by one. And it really does show: Pavement occupies a dissonant,
inevitable space that they leaned towards in both Slanted and
Enchanted and Crooked Rain but which they traded for a more
classic pop, even country-ish outlook on Wowee Zowee; a space that
is more tightly pinned down than their previous efforts but at the same
time is thrillingly exciting, seemingly on the verge of spinning out of
control.
While "Stereo" propels Brighten the Corners out of the starting
gate, the band immediately pulls back with a series of ballad-like
pieces--the romantic nonsense and wistfully melodic "Shady Lane," evoking
teenage innocence and endless possibilities; the slightly obsessive
"Transport is Arranged;" the desperation of "Old to Begin;" the plaintive
"Type Slowly," which Ibold marks with (Grateful Dead's) Phil Lesh-style
melodic bombs. Throughout, Malkmus and Spiral Stairs (n e Scott
Kannenberg) weave single notes and bursts of feedback in and out of each
other, fusing classic-rock lines and frustrated outbursts around each
other. The album takes off again on "Embassy Row," which erupts halfway
through and transforms from a languid stroll into a frenzied sprint,
complete with a climaxing guitar solo and Malkmus's screaming. Brighten
the Corners is also the most psychedelic Pavement album to date, with
drones, chants, and odd bits of percussion scattered throughout the album.
Pavement has been both loved and loathed for the particular link they
represent that stretches between classic and indie rock, but whatever one
thinks of this approach, it's hard not to admit this is a masterful album,
with even some hints thrown out to dance and electronic music to spice up
the mix. While not perfect, it is the type of work that is exciting, even
thrilling at times. There's not that much music that's truly inspiring,
that invigorates the listeners with a sense of limitless possibilities.
And Brighten the Corners is that type of album.