Sean Lennon Delivers Near-Perfect Album
First things first: Julian didn't turn out to be the genius in the
family. And Sean Lennon is nothing like his brother, so pay
attention.
Sean understandably loathes comparisons to his father, John, but
a
comparison is obligatory, and in this case, a compliment, because
he got
-- and makes something entirely his own out of -- the family
musical
jewels. Into the Sun is characterized by a recognizably
Lennonist
combination of brashness and shyness, crowned with a sparkling
intelligence.
"Mystery Juice" is an entrancing mix of acoustic guitar and synth
music,
culminating in a great, Roger Waters-style, strangulated cry. It is
lovely and strong. Then there is the sultry bossa nova of the title
track, "Into the Sun," a duet with girlfriend Yuka (no smartass
remarks,
please) Honda (who co-leads Cibo Matto), who beguilingly sings
along. And unlike other Beatles- related
duets, this collaboration works: these guys' voices
sound married to each other.
"Home" is pop rock with swell harmonies, while the self-
explanatory
"Bathtub" is a moody, complex song that drifts gently; it's as
relaxing
as, well, a nice warm bath.
"One Night" is an acoustic tune that resembles what you-know-
who's "Real
Life" would sound like without any nosy Beatles on it. In other
words,
perfect.
"Spaceship," reprising the trippy "into the sun" trope, is what Syd
Barrett would sound like if he'd been healthy and well-adjusted,
and
still fronting a mellow, interstellar Pink Floyd ... which couldn't be
more different than "Photosynthesis," a straight-no-chaser,
instrumental
jazz number performed live -- not filler, and very absorbing.
Brian Wilson's influence permeates "Queue," which features
vocals
arranged by Andrew (nee Loog) Oldham of Rolling Stones infamy
and is a
fine, '60s-ish pop pastiche. Seventies homage is paid -- to Stevie
Wonder -- on the keyboard funk and plink of "Two Fine Lovers,"
while
"Part One of the Cowboy Trilogy" is "Bungalow Bill"-style, country
cockadoodle with silly, infinitely wry lyrics.
"Wasted" takes you to the piano bar after hours; in Chet Baker
mode, it
features the mysterious lament, "All but a waste, it's all but a waste
to be in love..."
"Breeze" is bedsit introspection, while "Sean's Theme" ends things
grandly with a wistful, deeply textured jazz passage.
As you can see, the music is all over the place, but every note
works.
Yuka sings along and produces, and is an integral part of the
proceedings.
In every kind of music he attempts, Sean Lennon achieves a
sweet
peacefulness his father may never have known, and this makes
Into the Sun a fulfillment. Sean and Yuka are a dream
team. I had
to pinch myself to make sure this album was for real.
It is.