Pearl Jam's McCready Rises Up In The Valley
EAST TROY, Wis. -- The night began with a brief memorial to Stevie Ray
Vaughan.
It ended as a sort of rebirth for Pearl Jam guitarist Mike McCready.
Early in the fifth concert of Pearl Jam's current North American tour Friday
night, lead singer Eddie Vedder noted that the venue -- Alpine Valley
Amphitheater -- was also the location of the last show by legendary blues
guitarist Vaughan in 1990. Minutes after Vaughan completed his performance at
Alpine Valley, he died in a helicopter crash.
But Vedder's recollection of that tragedy didn't undermine Pearl Jam's
performance.
In fact, it inspired it. In particular, it inspired McCready.
The guitarist led the popular, Seattle-spawned rock band through its set with
the help of touring drummer Matt Cameron, formerly of grunge-rockers
Soundgarden. Cameron, who took over for Jack Irons after he quit the tour a few
months ago, proved to be a powerful addition, pounding the skins with a graceful
enthusiasm.
Even though this long-awaited tour -- the band's first since 1996 -- just got
underway, it's clear that the addition of Cameron and the energetic guitar
playing of McCready have revitalized Pearl Jam. The short but representative
set, which included songs from every album and some unusual tracks such as "I
Got ID" from the Merkin Ball EP, held promise for fans anxiously awaiting
a chance to see the band over the next couple of months.
Even as Vedder's brief tribute to Vaughan faded into a blur of Pearl Jam's
impassioned rock, McCready appeared still possessed by the spirit of the late
guitar hero. Throughout the set, the lead guitarist launched into inspired,
fluid solos, his eyes transfixed skyward, as if summoning the spirit of Vaughan.
HREF="http://www.addict.com/music/Pearl_Jam/Even_Flow.ram">"Even Flow"
(RealAudio excerpt), the guitarist extended the length of his solo while Vedder
and the rest of the band watched gleefully, like fans themselves. The song has
been played at almost every Pearl Jam concert since the band started touring,
but, on this night, McCready found a new direction for his solo.
The guitarist walked over to his amps and let the feedback flow past him and
into the enraptured crowd.
HREF="http://www.addict.com/music/Pearl_Jam/Brain_Of_J.ram">"Brain Of J"
(RealAudio excerpt) and "Animal." Even the mellow "Black," from the Ten
album, ended with a crashing guitar solo by McCready.
The rest of the evening was marked by Vedder theatrically flailing his body to
the pounding drums and wailing guitars and gripping the microphone for dear life
during the ballads. The singer started off the set with a shimmy as the band
HREF="http://www.addict.com/music/Pearl_Jam/Do_The_Evolution.ram">"Do The
Evolution" (RealAudio excerpt) from its latest album, Yield.
Vedder screamed out the chorus ("It's evolution, baby!") as Cameron showed off
his heavy style of drumming and bassist Jeff Ament anchored the arrangement.
Cameron added a hard edge to Pearl Jam's rock songs that has been missing since
PJ drummer Irons joined the band in 1995. During "Corduroy," Cameron sampled
every inch of his kit as he led the band in an extended jam.
Women squealed when Vedder glanced in their direction, and everyone seemed
linked to the beat, heads bobbing, arms waving, legs kicking. The crowd was
well-versed in the material from Yield and sang along to some of the more
obscure tracks from the album such as "In Hiding."
Rhythm guitarist Stone Gossard added to the jovial atmosphere as he took lead
vocals on "Mankind," from the No Code LP. Vedder stood to the side of the
stage and added high-pitched backup harmonies.
As McCready and Gossard dueled on twin Stratocasters, Vedder was content to play
a tambourine.
As for who won the musical duel, on this night, at least, it was obvious.
It was the guy looking up to the heavens.