Bomb Hip-Hop Plans Busy '99
SAN FRANCISCO -- Bomb Hip-Hop Records, the label behind the 1997 album
Return of the DJ Vol. II that helped provoke the current excitement around the
turntable scene, plans to capitalize on that buzz by releasing at least 12 albums this
year.
"I think that 1999 is going to be the biggest year for [DJ records]," label founder Dave
Paul said, speaking from a pizza joint near his home here.
"But I think in two or three years it is going to die down," the 31-year-old Paul said. "The
alternative crowd, the people who are buying DJ records right now -- they're not going to
be buying DJ records anymore. It'll go down to what it was originally -- other DJs buying
it, and a few other people."
Bomb Hip-Hop kept public interest in the turntable scene via 1998 albums by DJ Faust
(Man or Myth) and British hip-hop producer Baby J (Birth).
"The stuff that Bomb puts out is incredible," Baby J, 25, said last year.
"Dave has done a tremendous job of keeping his ear to the underground, and he gives a
lot of artists the chance to break through," said the producer, whose own album includes
such tracks as
music/Baby_J/Savior.ram">"Savior" (RealAudio excerpt), a collaboration with
Poetic of the rap band Gravediggaz.
Estimating that the label is in the right place at the right time, Paul has put together a
heavy release schedule, which finds the label expanding into various hip-hop genres.
The onslaught begins with the Feb. 2 release of Technics Chainsaw Massacre, a
two-CD set by British DJs the Jeep Beats Collective that will include such songs as
(RealAudio excerpt). Also on the schedule are albums by DJ Craze, British rappers
Krispy, the Australian beatbox group Metabass, sample maven RJD2, and rappers
Profound, Paul Nice and Kreators.
Bomb Hip-Hop will continue releasing compilations, too, with the rap collection
Droppen the Bomb and the DJ compilation Contents Under Pressure, both
due in March. The former features 15 tracks by such rappers as Rasco, Blackalicious,
Swollen Members, Jedi Mind Tricks and Superfriends. Paul said the latter will appeal to
fans of the DJ-and-musicianship mix practiced by such artists as DJ Spooky.
Later in the year, the label will release Revenge of the B-Boy, for break-dancers,
and the third volume in the Return of the DJ series.
Paul said he stays current by checking his mailbox, which is continually flooded with
demos, and by keeping in touch with a loose network of contacts in the United States
and Britain.
"I've found artists by calling people's answering machines," he said. That, at least, is how
href="http://media.addict.com/atn-bin/get-music/DJ_Faust/Don't_Hurt_Em_With_The_Needle.ram">"Don't Hurt 'Em With The
Needle" (RealAudio excerpt). "I called Dave Tompkins, who writes for
URB, and he had DJ Faust's mix tape on his answering machine. ... You never
know how you're going to find someone."
While he will "always put out DJ records," Paul said he's "trying to do other stuff as far as
rap records and stuff like that because I know the DJ thing will die down a couple of
years from now."
"You'd be surprised what we're looking at," he said. "We've got some alternative stuff,
and there's a lot of [other stuff] that I want to put out right now. I'm just not set up to do it.
Probably in a few years. You'll see."