The Sound

  • London, England
    hometown
  • Alternative
    genre
  • 1978
    started
  • Bio
    full story
  • Share
  • Similar
Close

About The Sound


The Sound's inability to break through to the type of '80s post-punk prominence reserved for the likes of Joy Division and Echo & the Bunnymen, the two bands the Sound fell in between sound-wise, isn't all that easy to explain away. Any deep-minded attempt to do so leaves one with a sort of abject sourness that can only be directed for, well, the human race. When a deserving band fails at to become something of a household name, the easy targets -- the industry, the press, the drug problems, the coke-head producer who mangled what was supposed to be the "Big Record" -- are normally fingered. But none of those targets truly apply here in the strictest sense. While most of the Sound's records were never released in the U.S., no American record executive can take any blame; they can simply point to the fact that the Sound were merely respectable unit shifters -- a prototypical cult act -- in their homeland of England, so they wouldn't have fared well across the pond. The press was generally supportive, especially early on; collectively they gave the band more positive reviews than most others, which makes perfect sense because none of the Sound's five studio LPs suffered from uneven characteristics. Each one made progress from the previous and each one ranged from good to spectacular. Their songs had hooks and emotional impact without bombast, with lyrics that often confronted the problems of young adulthood without simply moping and falling into escapist chutes. The members themselves weren't cute teen idol types (though they were far from being tough on the eye), and they didn't have big personalities or say big things during interviews, but that's obviously no fault of their own. They were able to cultivate large followings in Germany and Holland, but aside from those countries and a couple other European territories, indifference and history has made them all but invisible.

The Sound formed in South London in 1979, shortly after a band called the Outsiders dissolved. It isn't a very well-distributed fact, but the Outsiders' 1977 LP Calling on Youth was the first self-released British punk LP, issued roughly four months after Buzzcocks' infamous Spiral Scratch 7". Guitarist/vocalist/songwriter Adrian Borland led the Outsiders though a couple of other releases, but the band sputtered out three years after their 1976 formation. Bassist Graham Bailey (aka Graham Green), who had joined the band in time for their final recordings, followed Borland into the new group with a drummer named Michael Dudley and a saxophonist/clarinetist/keyboardist named Bi Marshall.

Fittingly enough, Borland's motivation to cut ties to the punk movement mirrored that of original Buzzcocks member Howard Devoto, who left his own band after Spiral Scratch. Like Devoto, who had gone on to pioneer yet another field called post-punk with Magazine, Borland looked around, saw all the bands who played straight-ahead chug-chug-chug rock & roll, and decided that the tired blueprint was in need of a little more depth and variation; atmospheres, tensions, and unfamiliar twists on the interplay between the instruments would be needed. Lyrics were another thing. Not content with simply railing against the government or grunting and yelping about trivial matters to merely keep a song moving, Borland became one of the few post-punk songwriters whose lyric sheets were truly worth ingesting and analyzing. Former Outsider Adrian Janes aided the cause, remaining involved with Borland in a behind-the-scenes manner, writing some of the band's lyrics with his former bandmate.

The Sound made their first recordings in the living room of the Borland family home, with Adrian's supportive father Bob acting as recording engineer. As demonstrated on Propaganda, a posthumous release from 1999 that collects these sessions, the band was gradually -- not so drastically and suddenly -- leaving the Stooges/Velvets axis and applying touches that would be developed into something all their own. They received their first break of sorts from Stephen Budd, an early supporter since the Outsiders days, who had recorded and released some material by Bailey and Borland's electronically inclined side project, Second Layer. Budd's label, Tortch-R, made a small profit from a Second Layer release, so he opted to put it right back into the Sound's first release. Budd also became the band's manager, booking studio time for them with Nick Robbins in Elephant Studios and finding places for the band to gig.

The first release made a humble impression. Physical World was reviewed positively in the NME by Paul Morley, and DJ John Peel took minor interest, playing it a couple times during his influential BBC program. Though the Sound hadn't the will to pine for a major label deal, the WEA-affiliated Korova label (home of Echo & the Bunnymen) came knocking when they found out the band was going back into the studio to make a full album. Korova heard the rough mixes of the album and a deal was made. Regardless of the label's involvement, Jeopardy was recorded cheaply, and upon its release was reviewed extremely favorably by all the important outlets. Reviews in the NME, Sounds, and Melody Maker gave it five stars. Rightfully likened to the Bunnymen, the Teardrop Explodes, and Joy Division in those reviews, one only needs to hear the weakest song from the record to realize that the Sound -- from the very beginning -- belonged in that high class.

Bi Marshall left the band and was replaced by Max Mayers (aka Colvin Mayers) before the Sound went in to work with master producer Hugh Jones, who had previously worked with the Teardrops and the Bunnymen, for the follow-up. From the Lion's Mouth took full advantage of the band's atmospheric, mind-bending capabilities by coating their songs -- accessible and economical as ever -- with richly layered productions that didn't hide the rock-solid foundation the songs were built on. Another round of positive reviews and another round of general indifference from the public ensued, though a cult following was festering. Korova became a little anxious with the band and wanted some hits. Surely, the next one would break them.

It wouldn't happen. Working again with Nick Robbins, the band was pressured by the label to compromise and play the pop game. Not only that, but the band was shifted to WEA proper, a move that probably had more to do with taxes than music. The heat from the label and the climate it spawned resulted in All Fall Down, one of those historically troubled third albums (i.e., the one that super-diehard fans defend to their grave). The Sound responded to the situation with their least penetrable record by a couple brick walls. And WEA responded to the response with no promotion. Criticized for being too willfully distant, for cannibalizing the back catalog, and for lacking immediacy (i.e., "tunes"), the record still has much to give the listener. Although it's not the band's best moment by a long shot, it's hardly something the band would feel ashamed of later on. To little surprise, the band wound up without a label and decided to reconsider their direction.

The period of dormancy involved a collective realization that the enthusiasm for making music and playing it, despite being a little drained from their experiences with WEA, had never really waned. Several major labels expressed interest in signing them, but in the end Statik won out; the band decided it would be better to go with the small independent. (Surprisingly enough, the band worked out a short-term deal with A&M to release material in the States, but it was pretty pointless.) Shock of Daylight, a six-song EP, was released in 1984. The time off served them well, resulting in some of the band's most fiery and uplifting material. This carried through to the following year's glassy/classy Heads and Hearts, the band's fourth studio album. Two dates at the Marquee during August were recorded for the double live album In the Hothouse, which was released in 1986.

For their final album, 1987's Thunder Up (released on Play It Again Sam in Belgium and Nettwerk in Canada), the band allowed the darkness from All Fall Down and the shivering, plaintive desolation of Shock of Daylight's "Winter" to creep back in. Few were still paying attention, but the Sound released a swan song that most of the members considered to be their finest work, with plenty of variety that hangs together. Nearly a decade of empty wallets and minor personality clashes had eroded the band's resilience, so the band decided to stop shortly after its release.

Borland continued in music throughout the next two decades, producing other acts and releasing another batch of under-appreciated records as a solo artist and as a member of a couple side projects (the Honolulu Mountain Daffodils, White Rose Transmission). Bailey, Dudley, and Mayers left music for the most part. Mayers passed away in the early '90s, a victim of AIDS. And on April 26, 1999, Borland took his own life. Thanks to the Renascent label's reissuing program in the late '90s and early 2000s, the Sound's discography has been restored and revitalized. ~ Andy Kellman, Rovi

Scroll up Scroll down

Photos

From position 0, showing 1 items, asking 10
See All
  • The Sound

News

From position 0, showing 10 items, asking 10
See All
Next Page
  • The Sound
    Afrojack, Calvin Harris, Porter Robinson 'Take Over' Electric Daisy Carnival: Day Two
    MTV News
    May 19, 2013
    Cloudy skies were an afterthought Saturday as the EDM fest saw Thomas Gold, AN21 and Max Vangeli and more rocking New York's Citi Field.
    Read More
  • The Sound
    Afrojack, Calvin Harris, Porter Robinson 'Take Over' Electric Daisy Carnival: Day Two
    MTV News
    May 19, 2013
    Cloudy skies were an afterthought Saturday as the EDM fest saw Thomas Gold, AN21 and Max Vangeli and more rocking New York's Citi Field.
    Read More
  • The Sound
    5 Things Last Night's SNL Taught Us About Kanye West
    VH1 Celebrity
    May 19, 2013
    Last night we got a chance to check out Kanye West 's new music on Saturday Night Live and we also got an opportunity to learn a few things about...
    Read More
  • The Sound
    Lissie Performs New Songs at Hangout Music Festival
    MTV Hive
    May 18, 2013
    [mtvn_player content_uri="mgid:uma:playlist:mtvhive.com:1707615" autoplay="false"] It's been three years since California singer-songwriter Lissie ...
    Read More
  • The Sound
    Delta Rae, Nicki Bluhm Shine at Hangout Music Festival
    CMT Edge
    May 18, 2013
    GULF SHORES, Ala. -- Delta Rae and Nicki Bluhm & the Gramblers fall at separate ends of the Americana spectrum, yet they both brought a pretty coo...
    Read More
  • The Sound
    Jim James Goes Au Naturale at Hangout Music Festival
    MTV Hive
    May 18, 2013
    [mtvn_player content_uri="mgid:uma:video:mtvmusic.com:909604" allow_full_screen="true"] Are you a dude with extravagant body hair? If so, there's a g...
    Read More
  • The Sound
    Electric Daisy Carnival Kicks Off With Amped-Up Set From Steve Angello
    MTV News
    May 18, 2013
    New York's annual EDM fest gets off to an electrifying start as 40,000 fans pack Citi Field.
    Read More
  • The Sound
    Electric Daisy Carnival Kicks Off With Amped-Up Set From Steve Angello
    MTV News
    May 18, 2013
    New York's annual EDM fest gets off to an electrifying start as 40,000 fans pack Citi Field.
    Read More
  • The Sound
    Lady Antebellum's Golden Cops Top Album Niche
    CMT News
    May 18, 2013
    Florida George Line's "Get Your Shine On" Remains No. 1 Song
    Read More
  • The Sound
    Lady Antebellum's Golden Cops Top Album Niche
    CMT News
    May 18, 2013
    Florida George Line's "Get Your Shine On" Remains No. 1 Song
    Read More

Tour Dates

From position 0, showing 40 items, asking 50
See All
  • May 21 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • May 22 Wednesday
    Angouleme, France La Nef
    Buy Ticket
  • May 28 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jun 4 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jun 11 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jun 18 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jun 25 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jul 2 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jul 9 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jul 16 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jul 23 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jul 30 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Aug 6 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Aug 13 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Aug 20 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Aug 27 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Sep 3 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Sep 10 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Sep 17 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Sep 24 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Oct 1 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Oct 8 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Oct 15 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Oct 22 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Oct 29 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Nov 5 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Nov 12 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Nov 19 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Nov 26 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Dec 3 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Dec 10 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Dec 17 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Dec 24 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Dec 31 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jan 7 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jan 14 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jan 21 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Jan 28 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Feb 4 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket
  • Feb 11 Tuesday
    Atlanta, GA, US Apache Cafe
    Buy Ticket

Discography

From position 0, showing 5 items, asking 10
See All
  • Thunder Up (1987)
    The Sound
    Thunder Up (1987)
    Pias
  • Heads and Hearts (1985)
    The Sound
    Heads and Hearts (1985)
    Statik
  • All Fall Down (1982)
    The Sound
    All Fall Down (1982)
    1972
  • From the Lion's Mouth (1981)
    The Sound
    From the Lion's Mouth (1981)
    1972
  • Jeopardy (1980)
    The Sound
    Jeopardy (1980)
    1972
Are You The Sound? Claim this page | Learn more about Artists.MTV | FAQ for Artists
The Sound Bio | The Sound Tour Dates | The Sound Discography |
MTV | MTV Jobs | Privacy Policy | User Content Agreement | Copyright | Artist Index | Social Projects Agreements | Ad Choices |
Portions of this page powered by
This site contains content from artists, fans, and writers from around the internet in it's natural form. Such content is not representative of Viacom Media Networks.

©2012 Viacom International Inc. All Rights Reserved. MTV and all related titles and logos are trademarks of Viacom International Inc.

  • Explore
    • Popular
    • Emerging
    • Genres
      • Rock
      • Hip Hop
      • Indie
      • Electronic/EDM
      • Country
      • Pop
    • Collections
    • Artist To Watch
  • Search
  • Are you an artist?
    • Claim Your Page
    • Learn More
    • FAQ
    • Opportunities