This Is the Trend: This Summer, Fame Is the Ultimate Movie Monster

A Closer Look at Stephen King: Film Critic

The Biggest Box Office Hits of 2013 from Around the World

From 'Logan's Run' to 'Planet of the Apes,' an Illustrated History of the Lincoln Memorial in Movies

Parents Strongly Cautioned: America's Most Insane Alternatives to the MPAA

Director's Cut: Pedro Almodóvar ('I'm So Excited!')

What Could Be Greater than a Film Aggregator? Reassesing the Role of Rotten Tomatoes

The 10 Most Disastrous Film Productions of All Time

Nothing but Net: The Strange History of Movie Commercials Made for the NBA Playoffs

Kung Fu Pander: Why Movie Studios Are Letting China Become the Most Powerful Player in Hollywood

Richard Linklater's Guide to Austin, Texas

A Year-By-Year Overview of Hollywood Films Reflecting on 9/11 and The War on Terror

Now You See Everybody: Can a Movie Have Too Many Stars?

Richard Linklater's Guide to Austin, Texas

The Politics and Private Lives of Steven Soderbergh's 'Behind the Candelabra'

Ranked: The Films of Richard Linklater

Blinded by the Light: Why J.J. Abrams' Lens Flare Is Not a Big Deal

Criterion Corner: Pierre Étaix Is the Greatest Director You've Never Heard Of

Irony Man: Why Action Scenes Are Hurting Superhero Movies

State of the Union: The 5 Key Points of Soderbergh's Speech

Reality Bites: The Fiction of Documentary Filmmaking's New Golden Age

Don't Fear the Reaper: Why Horror Films Love Pop Music

Minority Retort: In Defense of Tom Cruise as the Ultimate Director's Actor