DiFranco Arms 'To The Teeth' With Jazz, Hip-Hop And The Artist
For her third album of 1999, punk folkie Ani DiFranco takes another leap
into the musical unknown, sprinkling her topical sung/spoken folk songs
with funk and dance grooves courtesy of The Artist, former James Brown
horn player Maceo Parker and rapper Corey Parker.
"I wanted to meet her because she doesn't allow nobody to mess with her
vision," The Artist said last month while in New York promoting his
upcoming album.
DiFranco's 13-track To the Teeth (Nov. 16) opens with the quietly
seething acoustic title track, a seven-minute song with lyrics ripped
from the headlines. In keeping with her poetic style of social commentary,
DiFranco, 29, rails in a near whisper against the recent spate of school
shootings with such caustic lines as "Schoolkids keep trying to teach us/
What guns are all about/ Confuse liberty with weaponry/ And watch your
kids act it out."
DiFranco released her 12th solo studio album Up, Up, Up, Up, Up, Up
— which featured such songs as "Hat Shaped Hat" (RealAudio
excerpt) — in early 1999 and followed it this summer with
her second collaboration with folk singer Utah Phillips, Fellow
Workers.
Seemingly inspired by the more groove-oriented nature of her summer
"F-Word Tour," DiFranco embellishes new songs such as the lazily funky
"Soft Shoulder" with tuba, trumpet, Wurlitzer organ, clavinet and subtle
flute accents.
"We've done a lot of experimenting with instrumentation and stuff along
the way. And I'm sure I'll continue," DiFranco said in January about her
new musical direction. "I find for myself — and I think it's an
inherently human thing — that you can only do one thing for so long.
So I played solo and toured solo for a whole bunch of years."
In a meeting of the minds of two notoriously uncompromising musicians,
The Artist, formerly known as Prince, adds spectral, soulful backing
vocals to the song "Providence." The herky-jerky, seven-minute percussive
folk song about a chance meeting between two star-crossed lovers is just
the first of the upcoming collaborations between the pair.
DiFranco also is slated to appear on the song "I Love U, but I Don't
Trust U Anymore," a melancholy, falsetto pop ballad on The Artist's
Rave Un2 the Joy Fantastic (Nov. 9).
The Artist said he had wanted to meet DiFranco for some time and had
long admired her ability to follow her muse without interference from
the outside.
"I didn't look at it as two people with strong visions colliding. I think
she just views it as the absurdity of if someone did [mess with her
vision]. She came over and we jammed for three or four hours, and she
was just dancing the whole time and didn't want to stop."
The Artist said the two decided to work together after their jamming and
dancing session at his Paisley Park studio outside Minneapolis earlier
this year.
To the Teeth is DiFranco's 13th solo studio album in nearly 12
years, all released on her own Righteous Babe label. The new album features
more electric guitar than the singer's previous work, some courtesy of
Toronto musician Kurt Swinghammer, who adds subtle backing to DiFranco's
acoustic picking on the jazzy, soulful folk tune "Cloud Blood."
DiFranco also dips into a hip-hop vibe on the cathartic, jittery,
sung/rapped solo piece "Freakshow" and the New Orleans funk-jazz tune
"Swing," which mixes Parker's saxophone, turntable scratching, a Wurlitzer
organ, vocals sung through a megaphone and a rap interlude from MC Corey
Parker. The album also contains backing by DiFranco's tourmates —
bassist Jason Mercer, keyboardist Julie Wolf and drummer Daren Hahn.
Other songs on the album include the melancholic funk of "Wish I May,"
the jazzy, traveling blues ballad "Going Once" and the simmering folk
ballad "Hello Birmingham," a song about the murder of Dr. Barnett Slepian
by an allegedly pro-life shooter in DiFranco's hometown of Buffalo, N.Y.
The album also features the bouncy folk song "Back Back Back," the solo
ballad "I Know This Bar" and a pair of songs that sound inspired by trip-hop:
"Carry You Around" and the skittering, banjo-laced story of lovers reuniting,
"The Arrivals Gate."