Revelations, David Rudder Headline Concert Series
Lincoln Center's Festival 2000 celebrates Caribbean music, poetry and
culture July 24–29 at the "Caribbean Roots: Caribbean Routes"
concert series. Dub poetry, reggae, jazz, calypso and Nyabinghi drumming
will be proffered at two alternating venues in New York City.
The series opens July 24 at the New York Society for Ethical Culture,
with a performance of Rastafarian roots music titled "Nyabinghi Spirit
and the Heartbeat of Reggae." The evening features the
COLOR="#003163">Mystic Revelation of Rastafari, pioneers of
Rastafarian drum and chant, making their first U.S. appearance in 25
years; premier Jamaican dub poet
COLOR="#003163">Mutabaruka will also perform.
Haitian rara ensemble Boukman
Eksperyans performs its vodou carnival music during "Mizik
Racine and the Rhythm of Vodou," at the same venue July 26.
The series then moves to Avery Fisher Hall on July 27 for "Griots of the
West Indies: Dub Poetry and Calypso." British dub poet
COLOR="#003163">Linton Kwesi Johnson chants his politically
oriented verses with the Dennis Bovell Dub
Band, and renowned soca singer David
Rudder and his Charlie's
Roots band join forces with Afro-Caribbean griot poets
Composer and the
COLOR="#003163">Mighty Power. The program will include a
tribute to the late calypso artist Lord
Kitchener.
"Tradewinds of Trinidad: Parang and Indo-Calypso Jazz" reflects the
Indian and other Eastern influences on Caribbean music. The evening
presents the U.S. debut of Indi-jazz fusion sitarist
COLOR="#003163">Mungal Patasar and his band,
COLOR="#003163">Pantar, who blend jazz, steel pan, reggae,
Indian, electronic and classical influences. Acclaimed Trinidadian
parang (holiday music) ensemble the San Jose
Serenaders fill out the bill July 28 at the Society for
Ethical Culture.
The series' final performance, "The French Connection: Rising Stars of
Creole Song," July 29 at Avery Fisher Hall, features Martinican banjo
maestro Jean-Marc "Kali"
Monnerville, his former sideman
COLOR="#003163">Chris Combette and the Brazilian-influenced
Beethova Obas.