Joan Jett Doesn't Just Rely On Her 'Bad Reputation'

Goldfrapp Heralds The Slow Down, Autumnal Season With 'Tales Of Us'

Franz Ferdinand Finds A 2013 Sound

On Robin Thicke's Odd, Yet Charming Album 'Blurred Lines'

AlunaGeorge's 'Body Music' Transcends Their Hype Appeal

Ciara Has Officially Returned With 'Ciara'

The-Dream Disappeared on 'IV Play'

What Makes Disclosure's 'Settle' So Great?

Laura Marling's 'Once I Was an Eagle' Is a Masterful Character Study

Vampire Weekend's Timeless 'Modern Vampires of the City'

'The Great Gatsby' Soundtrack is Irresistibly Tasteless

Charli XCX Turns Her Feelings Into Perfect Pop Songs on 'True Romance'

Yeah Yeah Yeahs Aren't Afraid to Be Tasteless on 'Mosquito'

You're Taking the Knife's Politics More Seriously Than They Are

Justin Timberlake's '20/20 Experience' Is a White Soul 'Watch the Throne'

Did Rap and R&B Get the Grammy Night They Deserve?

The Grammys' R&B and Rap Problem

Beyoncé's Super Bowl Perfection

About That Azealia Banks and Angel Haze Feud

Frank Ocean Broke Through, But 2012's R&B Revival Belonged to Women

Ke$ha's 'Warrior' Struggles to Pick a Side

Solange Knowles Floats Above Her Weighty Last Name on 'True'

The Weeknd's Trilogy: Searching for a New High Among the Old Ones

Bat For Lashes' 'The Haunted Man' Brings Natasha Khan Into the Real World