“Unfortunately, because of the writers strike, it got pushed off,” Sims said. “But they’re now back to the rewrites.”
Since “X Men Origins: Magneto” is still in conceptual form, it’s too soon to say much about it, except that obviously, like Wolverine , it will be an origin story — “where he started, where he got his powers, the very beginning.”
“Remember the scene [from ’X-Men’] in the concentration camp where you see Magneto as a young boy? It just continues from there,” Sims said. “Some people thought that might be too dark, but I really like that. It’s a lot of death and mayhem.”
Magneto won’t be the only mutant — just like in “Wolverine”, there will be new mutants aplenty to keep Sims busy coming up with something to please and yet surprise the fans. “The fan base has a vision of what they should look like, and that’s always the challenge,” Sims said. “It was the same with ’The Hulk.'”
But since director David Goyer is still finishing “The Unborn” and also has several other movies on his plate (from “The Invisible Man” to “Super Max” to “Baltimore”), Sims doesn’t have to realize his character designs too quickly, which is a good thing, since he’s also in the middle of designs for “The Invisible Man,” “The Clash of the Titans,” “Paradise Lost,” and “Green Lantern” — for which he did the suit and Kilowog. (This, after finishing matte paintings for “The Spirit” and designs for the robot and the spaceship in “The Day The Earth Stood Still”).
“David’s like me,” Sims laughed. “He works nonstop. He’s not one of those kinds of writers or directors who ever stops. I’m surprised he has any time at all. But I’m fortunate to work with directors like him who I admire. I can’t say no to him.”
Which film would you rather have David Goyer finish first — “Magneto” or “Super Max” or “The Invisible Man” or “Baltimore”? How dark do you want “Magneto” to be? Who would you want to play a younger Magneto?