The Wachowskis On ‘Wonder Woman’? We Investigate The Latest On Princess Diana’s Missing Movie

Since there is no Justice (League) anymore in the movie world, let’s do a little check in with its members’ solo missions. Warner Bros. has summoned “Dark Knight” Director Christopher Nolan for a third box-office booty call (he has yet to holla back) and the company’s president voiced his intent to launch a “Dark Knight”-y Superman — even if that does mean potentially mixing nerd-lore metaphors.

But what’s up with Wonder Woman?

“We’re waiting for the script to come in,” says producer Leonard Goldberg (“Charlie’s Angels”), who’s working on the film alongside Joel Silver.

And Hera help them, indeed: Goldberg has been trying to get a “Wonder Woman” film to take flight since the ’70s when he and then-business partner Aaron Spelling tried to lasso in Raquel Welch for the lead.

More recently, writer-director Joss Whedon (“Buffy the Vampire Slayer”), who never delivered a finished script, quit the project after Silver purchased a rival, WWII-centered script drafted by unknowns Matthew Jennison and Matt Strickland. (Whedon ultimately cited a difference in vision as the sticking point — but before he departed, he spoke with MTV about his vision for the project.)

“We’ve tried that route. We’ve had a writer-director work on it,” said Goldberg, who declined to comment specifically on the Whedon dustup. “But I’m old school. When we have a script to present to directors, we’ll sit down with them and see who has a take that blows us away.”

One rumored possibility: the Wachowski brothers (“The Matrix,” “Speed Racer”). “At one time, Joel [Silver] said they might have an idea. But they got diverted to another project [and] never followed through,” he said, before adding, “There may come a time when they will be focused on ’Wonder Woman’ and may come up with whatever their take on it was. They’re certainly very talented guys. Their vision for movies — whether they’re successful or not — is always singular.”

For the time-being, Goldberg won’t go into details about the notes he and Silver gave to the Jennison/Strickland brain trust for “Wonder Woman’s” second draft — but he will discuss his broad expectations. “I can only speak for myself.… I would like it to be more current,” said Goldberg. “I hope that we don’t finally wind up doing the same story again: Steve Trevor flying, and his plane crashes onto the island [of Themyscira, Wonder Woman’s matriarchal homeland]. He’s supposed to be executed, and she saves his life. Perhaps we’ll do that in a very abbreviated fashion up front, and then come up with a story that no one has seen yet.”

And don’t expect this fetching heroine to be overtly sexed up, either: “Originally, a friend of mine sent me the initial copy of Ms. Magazine. On the cover was Wonder Woman, which got me to thinking about what an iconic figure she was for women,” he recalled. “So I don’t see any reason to do it. That separates her from Catwoman.”

Goldberg claims he and Silver haven’t started discussing the lucky lass who’ll play the super-powered Amazon royal, but notes, “I would go with a right unknown. People are not, in my opinion, going to come [to the theater] for the actress. They’re going to come for Wonder Woman.”

And just when can we come to see her? “I wanted it to be released in 1983,” he joked, without committing to a big-screen date in this century. So for the time being, fans of spangled leotard-tiara combos will just have to sit tight with the Wonder Woman animated movie, out February 2009.