Wallflowers' 'Heroes' Takes Off At Modern-Rock Radio
Not unlike the Manhattan, N.Y., populace facing Godzilla in the new movie of
the same name, Jakob Dylan's rock outfit the Wallflowers and producer Andrew
Slater were a touch nervous about attempting to rework the classic David Bowie
song "Heroes" for the Godzilla soundtrack.
"Very nervous," Slater said.
"We proceeded with great humility, because we knew we were on sacred
ground."
HREF="http://www.addict.com/music/Bowie,_David/Heroes.ram">"Heroes"
(RealAudio excerpt of original) -- a collaboration with ambient
audiomeister Brian Eno -- back in 1977.
Now, nervousness has been replaced by relief -- and surprise. The Wallflowers'
HREF="http://www.addict.com/music/Wallflowers,_The/Heroes.ram">"Heroes"
(RealAudio excerpt) was chosen as the first single off Godzilla: The
Album, an album that includes tracks by such hit acts as Jamiroquai, Rage
Against The Machine and Green Day, in addition to a collaboration between
hip-hop monarch Puff Daddy and former Led Zeppelin guitarist Jimmy Page. And the song is already a Top 10 hit at modern rock radio.
No way were the Wallflowers expecting the song to be chosen as a single at all,
much less the lead-off single. "We figured they'd have an original song for the
first single, and 'Heroes' would be buried on the soundtrack," Slater said.
Slater -- who also produced Fiona
Apple's debut, Tidal -- said he's heard indirectly through Bowie's label that the
veteran rocker approves of the Wallflowers' interpretation of the song. "If the
guy who wrote it says we've done it justice, that's definitely a relief," Slater said.
"But you've still got everyone in general -- you hope you don't offend the big
fans of the original."
At the alt.fan.david-bowie newsgroup, fans of the glam-rock singer expressed
mixed sentiments about the Wallflowers' cover. While some argued that the
rendition should be seen as a flattering tribute to Bowie that will only widen his
fanbase, others said the song is too close to the original and lacks its own flare.
The Wallflowers' decision to record the song was a lot easier than awaiting the
reaction to the finished recording. "We love this song, so let's just do it and
have fun," Slater said of the consensus reached by the bandmembers.
In deciding on the track's arrangement, the group opted to preserve the basic
components of Bowie's original, including the guitar and basslines. "I don't think
it's such a good idea to perform surgery on something that's been done before
and done well," Slater said, "but you still want it to sound like the Wallflowers."
There was one necessary change, however: The remake trades in the choir
accompaniment of the original for a string arrangement. "The choir didn't seem
right for an American rock band," Slater said.