'Hangover Part II' Reviews: More Of The Same

HangoverFROM MTV MOVIES: By this point, if anyone is still doubting whether "The Hangover Part II" will be a massive worldwide hit, Wednesday's midnight screenings should quiet skeptics. Warner Bros. announced that the follow-up to 2009's record-smashing hit roped in $10.4 million in those early showings, setting a new midnight opening record for an R-rated film on its way to what many are predicting will become a $125 million opening over the five-day holiday weekend.

All this box-office talk gets even more impressive when you note reviews for the film have been decidedly mixed. While the first "Hangover" won over both critics and moviegoers, the sequel is currently languishing at just a 31 percent approval at the Rotten Tomatoes review aggregator. Critics have pointed out how the second film follows the plot points of the original far too closely. They've also argued that the sequel simply isn't as funny as the first. Other reviews, however, are still getting a kick out of watching the Wolf Pack flail and fail all over again, similarities are not. Read on for a deep dive into the "Hangover Part II" reviews:

The Story

"'The Hangover Part II' opts for the most popular cure: the hair of the dog that bit it. In other words, the sequel is almost identical to the first 'Hangover.' This time, dweeby Stu (Ed Helms), slick Phil (Bradley Cooper) and attention sponge Alan (Zach Galifianakis) are at a wedding (Stu's) in Thailand, instead of Las Vegas, but the rest is pretty much the same. The movie starts with the three waking up after a night of debauchery, with one of their pals missing, with a threatening crook on their tails and with vague knowledge of peccadilloes both sexual and chemical. Oh, and Mike Tyson is tangentially involved (Stu has a facial tattoo just like the former champ's). They spend the rest of the movie trying to make it to the wedding while piecing together clues to what happened the previous night and searching desperately for their missing bud." — Chris Hewitt, St. Paul Pioneer Press

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