Christopher Nolan Finds Meaning In ‘Superman’ Adaptation

'Whether you're doing a 'Batman' or 'Superman' film, it's all about story first,' 'Inception' director says.

Of the many accomplishments that director Christopher Nolan achieved with “Batman Begins” in 2005, one of the greatest involved his ability to craft a compelling comic book adaptation while maintaining a surprising level of realism. Nolan’s down-to-earth, non-superhero approach to the Batman mythos owed much thanks to the character’s lack of superpowers — but when he puts his stamp on Warner Bros. and DC Entertainment’s forthcoming “Superman” reboot, he’ll likely have to try a different approach with the invulnerable Man of Steel.

As the producer of the upcoming “Superman” film, Nolan is already hard at work on the story alongside his “Dark Knight” collaborators Jonah Nolan and David S. Goyer, but the project remains so early in development that casting hasn’t even been considered yet.

“I haven’t even thought about it, to be honest,” Nolan told MTV News during a recent press junket for “Inception,” his forthcoming thriller starring Leonardo DiCaprio. “All of these things, whether you’re doing a ‘Batman’ or ‘Superman’ film, it’s all about story first. It’s all about figuring out exactly the tone and the meaning of the story and how you’re going to approach it. Casting comes later. All of those considerations come later.”

Even if casting isn’t an immediate concern, Nolan already has plenty of history to look toward as he and his collaborators find the story for “Superman.” For Nolan himself, the filmmaker considers director Richard Donner’s first adaptation in 1978 as something to aspire to.
“I was hugely struck by the Donner films in the ’70s when I was a kid,” he said. “In 1978, I saw ["Superman"] and it had such epic scope to it. It took on this incredible, iconic figure and gave that iconic figure an appropriate framing. It made quite an impression on me. It’s definitely one of my childhood touchstones of what epic cinema can be.”

Check out everything we’ve got on “Inception.”

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