The Roots Joined By Many Guest Artists At Dynamic Late-Night NYC Show

Common, Jill Scott, Musiq lend vocals to an energetic, old-school-infused set.

NEW YORK — Those who were at the Roots show at S.O.B.’s Tuesday
night really wanted to be there, no doubt about that. Not only were there
warnings of a snow storm, the Philadelphia band, which is performing at
various NYC venues all this week, had an advertised midnight start time for
its set and no opening act.

As audience members started to file in near the witching hour, the Roots’
drummer, ?uestlove, journeyed to the wheels of steel and spun some oldies but
goodies from Biz Markie to Big Daddy Kane to Jay-Z.

No song from yesteryear moved the crowd quite like Audio Two’s classic “Top
Billin’.” As ?uest made his way to his drumset and the rest of his partners
came onstage, the group’s lead vocalist, Black Thought, let everyone know he
had a special guest to introduce.

Audio Two’s Milk D then came on to perform his timeless hip-hop banger.

“I took your girl while you were in prison,’ he said in his high-pitched
voice, “Jail for MC assault/ You were jealous, it’s all your fault … Milk
is chillin’, Giz is chillin’/ What more can I say?/ Top billin’ … ”

“We dedicate this to Jam Master Jay,” Thought said at the end of the song,
before rapping for the first time.

Songs from their new album, Phrenology, the head-banging “Rock You”
and “Thought @ Work,” which samples the Sugar Hill Gang’s “Apache,” followed.

“Here go the rap of the year/ Year of the rap/ I’m from Philly where the guns
clap,” Thought rhymed on his theme song, later urging the crowd to join in on
the sing-songy chorus. “You feel this sh– soon as they throw it on.”

The crowd felt “The Next Movement” as soon as the band started playing its
opening chords later in the show. In what has become a staple of their live
shows, Thought and the spectators interacted, both giving props to the crew
from the City of Brotherly Love.

Chants of “We got the hot music, the hot music,” echoed throughout S.O.B.’s.

The enthusiasm level was turned up when another special guest, Common, came
on in a burgundy Adidas tracksuit, to join in on the beloved Roots jam “Love
of My Life.”

While performing “Proceed,” Thought started rhyming over Black Moon’s beat
for “How Many MCs?” and surprised everyone by introducing Moon’s lead
lyricist Buckshot.

The Brooklyn marksman took everyone back to one of the golden ages of rap
when he started spitting the words to his early ’90s street sweeper.

“I break, you take/ Whatever type of sh– the n—a Buckshot make … I hit
my head on the concrete to beat defeat/ Another dead n—a in the street.”

For a few more minutes, the Roots concert turned into a Boot Camp Clik affair
as Buck’s brethren the Cocoa Brovaz came on to perform their Smif-n-Wessun
hit “Sound Bwoy Bureill.”

“We’re not done, we’re not done,” Thought warned the crowd, giving the
audience a chance to catch its breath. By this time, S.O.B.’s was so hot and
crowded that you might have felt like passing out, but the energy kept you

Musiq nonchalantly took the stage to sing the chorus on the Roots’ current
single “Break You Off,” which centers around a cheating “Bad Mrs. throwing
raspberry kisses” at Thought.

The excitement seemed to peak when rebel soulman Cody Chesnutt made for
another surprise cameo, playing the guitar and singing on the sexually
suggestive ode to rock, “The Seed (2.0).”

The hip-rock motif reached its zenith when Jill Scott came onstage for a
remix version of the Roots’ biggest commercial hit, “You Got Me.”

“I’m gonna take my time,” Jill sang, almost inaudibly because of the
screaming for her. “If I sex, I make it right … I’m gonna take this slow.”

“No, no, no,” Scott ad-libbed further into the song, while Black Thought
rhymed about relationship infidelity: “That snake could be that chick/ And
that rat could be that cool cat/ That’s whispering ’She’s tryin’ to play you
for the fool, Black.’ ”

“Don’t worry,” Scott commandingly belted to end the set.

As with most concerts, the band left and then returned to the stage for the
grand finale. During another dedication to Run-DMC, the Roots displayed some
famous b-boy poses — including the jailhouse pose, standing confidently
with your head to the sky and both hands behind your back — garnering

Human sound machines Rahzel and Scratch capped the two-hour-plus performance
by using their mouths to not only recreate special effects noises, but to act
as turntables.

For the encore, they re-enacted the climatic lightsaber duel from “The Empire
Strikes Back,” where Luke fights his masked father and performed songs such
as “React,” “Planet Rock” and, fittingly, “Peter Piper.”

For more sights and stories from concerts around the country, check out MTV News Tour Reports.