JACKSONVILLE, Florida The set for Aaron Carter’s 24-date U.S. tour is a glacier amusement park an icy mock-up featuring two trampolines, a slide, a fireman’s pole, scaffolding, a conveyor belt and a trapdoor. The tour’s theme: Aaron’s
Winter Party, where dancers turn backflips and 14-year-old Carter sings his
hits as images of wintry locales beam onto three overhead video screens.
Carter kicked off the Winter Party Tour Friday night in Jacksonville, and
bounded through his lighthearted material while introducing a new sight gag on almost every song during the 75-minute show.
Here was Carter, striding onto the stage in a full-length white coat. And
here flipping off of a trampoline, and here sliding down his slide and here on
camera, mugging with his Backstreet Boy brother, Nick. The Carters get to do
things the rest of their teen and pre-teen audience can’t do that’s part of
the appeal and young Aaron seems ever-more comfortable with his elevated
status among his peers. When fans handed him stuffed animals and flowers
Friday, for example, he grabbed them in his arms and dumped them in a
growing pile at center-stage. When he serenaded a fan during “I’m All About
You,” he led her around the stage by the hand and then allowed a security guy
to pretend to forcibly remove her.
Carter kept in close contact with his backup dancers, leaving them for a
song or two, then returning for dance routines. At one point the team
got up on a swinging scaffold and danced side-by-side in tight quarters,
really flaunting their choreography. When Carter was alone at center stage,
the backup dancers appeared free to move about the glacier, doing
cheerleader-style tumbling routines and testing the various props.
Carter’s opening-night vocals wavered between pubescent-crackly and
pop-phenom precise, a good sign that he was actually singing, not
lip-synching. Occasionally the audience could even hear his heavy breathing,
a rarity on those headset microphones. If there was little doubt that Carter
sang his songs, there was absolutely no doubt that he actually played his
own piano on the surprise tune of the night: a cover of John Lennon’s
“Imagine.” Carter dedicated the song to the young people of the world,
“because we are the future,” then proceeded to play the song hesitantly but
competently. With more confidence, he delivered his own hits, such pop
ditties as “Get Wild,” “That’s How I Beat Shaq” and “Not Too Young, Not Too Old.”
Over the course of the night, Carter changed from the white coat into a
silver suit, then a denim outfit, then into a different denim outfit. While he
was offstage, the video screens played advertisements for his forthcoming
pay-per-view special. As Carter prepared to leave the stage to make his
final costume change, he introduced Matt, “an award-winning bagpipe player,”
whom Carter had apparently just met. “You know what?” Carter said during the
introduction. “He told me his last name before we came onstage and I
already forgot … give it up for MATT!” Matt’s bagpipe turned out to be an
electronic, ruler-sized stick a bagpipe with no bag which he played to
some cheering and some bewilderment.
Carter eventually reemerged for “Cowgirl (Lil’ Mama),” the upbeat song that
closely mirrors “Space Cowboy (Yippie-Yi-Yay)” by rival popsters ’NSYNC.
Carter goes “Yippie-yi-yo,” ’NSYNC goes “Yippie-yi-yay,” but both artists
have the same, campy fun playing cleaner versions of Kid Rock’s cowboy/pimp
role. Carter donned a hat and chaps for the song, and so did his backup
dancers (though their outfits glowed in the dark and his did not). Shortly
after “Cowgirl,” Carter bid the audience farewell and headed offstage, ready
to pack up the glacier and head to the next town.
Read about all of the shows we’ve recently covered in Tour Reports.