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<title><![CDATA[New Releases: Snoop's <i>Squeeze,</i> Nightwatchman, Joe, Arctic Monkeys & More]]></title>
<description><![CDATA[<p type="articleSubhead">Also due Tuesday: Cornelius, Dntel, Electric Soft Parade, Midnight Movies, Patti Smith, Porcupine Tree.<br/>By Kurt Orzeck</p>
<p>
<a href="http://www.mtv.com/news/articles/1557858/20070423/snoop_dogg.jhtml">
<img type="photo"
src="http://www.mtv.com/shared/promoimages/bands/s/snoop_dogg/big_squeeze_cover/281x211.jpg"/>
</a>
<br/>
<i type="articlePhotoCaption">&lt;i&gt;Snoop Dogg Presents: The Big Squeeze&lt;/i&gt;</i>
<br/>
<i type="articlePhotoCredit">Photo: Koch Records</i>
</p>
<p type="articleText">	

<p>
For a week that's chock-full of new releases, there aren't too many big names to show for it: Beyond a new compilation thrown together by <b>Snoop</b>, <b>Tom Morello</b>'s CD debut as the <b>Nightwatchman</b>, <b>Joe</b>'s guest-heavy LP, a covers set by <b>Patti Smith</b> and the <b>Arctic Monkeys</b>' second album &#8212; which has been getting a surprisingly low-key response &#8212; there aren't too many fresh faces poised to chart.
</p><p>But is this week really all that weak? Let's evaluate:
</p><p><b>Various artists</b>' <i>Snoop Dogg Presents: The Big Squeeze</i><br>
Strength: The Doggfather is unleashed, at least in some capacity, on almost every track on this collection, which primarily serves as a vehicle for Snoop to usher in his new buds, including <b>JT Da Bigga Figga</b> and <b>Westurn Union</b>. A spot by <b>Katt Williams</b> on "We Go Hard" might draw some extra ears too.<br>
Weakness: While Snoop is asking us to open our minds to new talent, he's also cluttered the release with his crustier friends <b>Kurupt</b>, <b>MC Eiht</b> and the like &#8212; why not keep the focus on the promising newbies?
</p><p>The <b>Nightwatchman</b>'s <i>One Man Revolution</i><br>
Strength: <b>Tom Morello</b> can count on <b>Rage Against the Machine</b> fans to glom on to his solo project &#8212; even if it is acoustic, the politically charged content should cater to them. He's also got famed producer <b>Brendan O'Brien</b> (RATM, <b>Pearl Jam</b>) in his corner.<br>
Weakness: While he's played scattered solo shows as the Nightwatchman in recent years, Morello has been staging select concerts secretly loaded with guests like <b>Alanis Morissette</b>, <b>Slash</b> and <b>Perry Farrell</b>, building momentum for the affair. Problem is none of those people appear on the disc, which sorely needs a guest &#8212; or three &#8212; boosting its profile.
</p><p><b>Joe</b>'s <i>Ain't Nothin' Like Me</i><br>
Strength: <b>Nas</b>, <b>Chamillionaire</b>, <b>Young Buck</b>, <b>Papoose</b> and <b>Fabolous</b> drop verses on the latest LP by the Southern R&B singer, and production royalty <b>Bryan-Michael Cox</b>, <b>Sean Garrett</b>, <b>Cool and Dre</b>, and the <b>Underdogs</b> also help out.<br>
Weakness: Joe's new single "If I Was Your Man" single hasn't been doing all that much damage on the charts, so while fellow R&B singers like <b>Lloyd</b> have been making strong debuts, Joe could fall short.
</p><p><b>Arctic Monkeys</b>' <i>Favourite Worst Nightmare</i><br>
Strength: After attracting some major buzz following their performance at South by Southwest last year, the Monkeys' <i>Whatever People Say I Am, That's What I'm Not</i> was the fastest-selling rock debut in British history and made an impressive opening at #24 on the <i>Billboard</i> albums chart in the U.S. Their new one is faster and cops from <b>Ennio Morricone</b>'s spaghetti-western soundtrack to "The Good, the Bad, and the Ugly."<br>
Weakness: Have you heard a word about this album? Even its first single, "Brainstorm," has yet to make noise Stateside. Despite the band being all the rage last summer, the dreaded "sophomore slump" may be rearing its head once again.
</p><p><b>Patti Smith</b>'s <i>Twelve</i><br>
Strength: Covers of songs by <b>Nirvana</b>, <b>Bob Dylan</b>, <b>Jimi Hendrix</b> and a slew of classic-rock bands might rekindle interest in the singer/songwriter's newer works. Smith has also been in the limelight after getting inducted into the Rock and Roll Hall of Fame, which could give her an extra assist.<br>
Weakness: Her 2004 album, <i>Trampin',</i> opened at a flimsy #123. As important as Patti Smith is in the rock canon, is anyone still excited about her new material?
</p><p>But as usual, even if there aren't any superstars hitting the racks this week, there are still plenty of below-the-radar releases worth keeping tabs on. Here are the top 10 incognito titles you should care about:
</p><p><b>Dntel</b>'s <i>Dumb Luck</i><br>
<b>Jimmy Tamborello</b> is best known these days as one-half of the <b>Postal Service</b>, but he's been hammering away at this other project for some 13 years now. If that's not enough reason to check out this spacey release, guest appearances by <b>Conor Oberst</b>, <b>Jenny Lewis</b>, plus members of <b>Grizzly Bear</b> and the <b>Moving Units</b> should do the trick.
</p><p><b>All Smiles</b>' <i>Ten Readings of a Warning</i><br>
<b>Jim Fairchild</b> isn't wasting any time after the dissolution of <b>Grandaddy</b> last year. The guitarist, who also lends <b>Earlimart</b> some help with production from time to time, has become the first ex-Grandaddy member to step up with solo material. Recorded over sporadic sessions with drummers <b>Joe Plummer</b> (<b>Modest Mouse</b>), <b>Janet Weiss</b> (<b>Sleater-Kinney</b>), <b>Danny Seim</b> (<b>Menomena</b>) and others, Fairchild also takes a seat at the piano amid all the guitar buzz.
</p><p><b>Various artists</b>' <i>In the Mind of Nitin Sawhney</i><br>
You might know Sawhney's name from the wealth of big-name artists he has produced, including <b>Massive Attack</b> and <b>Aqualung</b>. But even if you don't, this comp will give you the sense that the electronic guru is worth noting &#8212; <b>D'Angelo</b>, <b>Koop</b> and <b>Air</b> tracks are also included, as is "Songbird," which Sawhney cut exclusively for the set.
</p><p><b>Midnight Movies</b>' <i>Lion the Girl</i><br>
Previously a trio, the Los Angeles quartet beef up with a new rhythm section and gang up with <b>Nirvana</b> producer <b>Steve Fisk</b> for their second outing. Singer <b>Gena Olivier</b> said in a press release that <i>Lion</i> is "an album about pure love"; songs include "Patient Eye," "Coral Den" and "Parallel Paramour."
</p><p><b>Calvin Johnson &amp; the Sons of Soul</b>'s <i>Calvin Johnson &amp; the Sons of the Soil</i><br>
Speaking of Nirvana, <b>Kurt Cobain</b>'s former Seattle buddy joins forces with <b>Wolf Colonel</b>'s <b>Jason Anderson</b>, <b>Yume Bitsu</b>'s <b>Adam Forkner</b> and <b>Little Wings</b>' <b>Kyle Field</b> to recap Johnson's greatest hits. That includes songs by a variety of Johnson projects &#8212; <b>Dub Narcotic Sound System</b>, the <b>Halo Benders</b> and the <b>Go Team</b>.
</p><p><b>Cornelius</b>' <i>Sensuous</i><br>
The Japanese electro-pop wunderkind started his career with one of the best-regarded indie albums of the 1990s, <i>Fantasma,</i> then finally followed it five years later with the widely panned <i>Point.</i> Now Cornelius is hoping to rebound with his third album, which is unfortunately being called a continuation of his last release. Oh well &#8212; even if it doesn't turn out so hot, at least you can enjoy a cover of the Rat Pack classic "Sleep Warm" and an interactive widget of Tokyo.
</p><p><b>Various artists</b>' <i>SC100</i><br>
Bloomington, Indiana, indie label Secretly Canadian gets some much-deserved love in the form of its 100th release. Helping blow out the candles are <b>Swearing at Motorists</b>, <b>Damien Jurado</b> and <b>Early Day Miners</b> &#8212; who largely owe their careers to the label, which is in its 11th year. <b>Nikki Sudden</b> tosses in a cover of <b>June</b>'s "See(ing) Double" for good measure.
</p><p>The <b>Detroit Cobras</b>' - <i>Tied &amp; True</i><br>
One of the underground's strongest garage-rock bands barrels back with its first set of studio material in three years. Singer <b>Rachel Nagy</b> branches into soul territory while <b>Greg Cartwright</b> of the <b>Reigning Sound</b> helps out. Songs include "Leave My Kitten Alone," "(I Wanna Know) What's Going On" and "Nothing but a Heartache."
</p><p><b>Transmission O</b>'s <i>Memory of a Dream</i><br>
<b>Isis</b> and <b>Neurosis</b> fans look no further &#8212; this Dutch band could be next in line to take up the sludge-metal torch. The plodding, long-lasting release &#8212; it clocks in at well over an hour &#8212; finds <b>Today Is the Day</b> major domo <b>Steve Austin</b> chipping in some support as the band slowly pummels its listeners into oblivion.
</p><p><b>Lifesavas</b>' <i>Gutterfly</i><br>
Portland, Oregon's blaxploitation-obsessed sophomores called on <b>Fishbone</b>, <b>Dead Prez</b>, <b>Living Colour</b>'s <b>Vernon Reid</b> and others for their conceptual release, which finds fictional 'hood superheroes struggling in Razorblade City. (Fishbone's first studio album in six years, <i>Still Stuck in Your Throat,</i> also drops this week.)
</p><p><b>Song Title of the Week</b>:
</p><p>"Man Needs a Woman or a Man to Be a Man" from <b>Bill Callahan</b>'s <i>Work on a Whaleheart</i>
</p><p><b>New Releases</b>:
</p><p><b>&#183;</b> Aa - <i>gAme</i> (two CDs; Gigantic)<br>
<b>&#183;</b> Alex Delivery - <i>Star Destroyer</i> (Jagjaguwar)<br>
<b>&#183;</b> All Smiles - <i>Ten Readings of a Warning</i> (Dangerbird)<br>
<b>&#183;</b> Ellen Allien - <i>The Other Side Berlin</i> (Deaf Dumb &amp; Blind)<br>
<b>&#183;</b> Fred Anderson &amp; Hamid Drake - <i>From the River to the Ocean</i> (Thrill Jockey)<br>
<b>&#183;</b> Arctic Monkeys - <i>Favourite Worst Nightmare</i> (Domino) <a href="/music/artist/arctic_monkeys/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
<b>&#183;</b> Assemblage 23 - <i>Meta</i> (Metropolis)<br>
<b>&#183;</b> Bassnectar - <i>Underground Communication</i> (Om)<br>
<b>&#183;</b> Between the Trees - <i>The Story and the Song</i> (Bonded)<br>
<b>&#183;</b> The Blow - <i>Poor Aim: Love Songs</i> (K)<br>
<b>&#183;</b> Blutch - <i>Materia</i> (At a Loss)<br>
<b>&#183;</b> Chuck Brown - <i>We're About the Business</i> (Raw Venture)<br>
<b>&#183;</b> Norman Brown - <i>Stay With Me</i> (Peak)<br>
<b>&#183;</b> Patrizio Buanne - <i>Forever Begins Tonight</i> (Republic)<br>
<b>&#183;</b> Bill Callahan - <i>Work on a Whaleheart</i> (Drag City)<br>
<b>&#183;</b> Michel Camilo - <i>Spirit of the Moment</i> (Telarc)<br>
<b>&#183;</b> Chinese Stars - <i>Listen to Your Left Brain</i> (Three One G)<br>
<b>&#183;</b> Cliks - <i>Snakehouse</i> (Tommy Boy)<br>
<b>&#183;</b> Confederate Railroad - <i>Cheap Thrills</i> (Shanachie)<br>
<b>&#183;</b> Contradiction - <i>The Voice of Hatred</i> (Locomotive)<br>
<b>&#183;</b> Cornelius - <i>Sensuous</i> (Everloving) <a href="/music/artist/cornelius/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
<b>&#183;</b> Dark Tranquillity - <i>Fiction</i> (Century Media)<br>
<b>&#183;</b> Detroit Cobras - <i>Tied &amp; True</i> (Bloodshot)<br>
<b>&#183;</b> Dntel - <i>Dumb Luck</i> (Sub Pop) <a href="/music/artist/dntel/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
<b>&#183;</b> Eccodek - <i>Voices Have Eyes</i> (White Swan)<br>
<b>&#183;</b> The Electric Soft Parade - <i>No Need to Be Downhearted</i> (Better Looking)<br>
<b>&#183;</b> Ensiferum - <i>Victory Songs</i> (Candlelight)<br>
<b>&#183;</b> Benjam&#237;n Escoriza - <i>Alevanta!</i> (World Music Network)<br>
<b>&#183;</b> Ibrahim Ferrer - <i>Mi Sue&#241;o</i> (Nonesuch) <a href="/music/artist/ferrer_ibrahim/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
<b>&#183;</b> Tim Finn - <i>Imaginary Kingdom</i> (Manhattan)<br>
<b>&#183;</b> Fishbone - <i>Still Stuck in Your Throat</i> (Sound in Color) <a href="/music/artist/fishbone/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
<b>&#183;</b> Sue Foley, Deborah Coleman and Roxanne Potvin - <i>Time Bomb</i> (Ruf)<br>
<b>&#183;</b> Front Line Assembly - <i>Fallout</i> (Metropolis)<br>
<b>&#183;</b> The F---ing Champs - <i>VI</i> (Drag City)<br>
<b>&#183;</b> Future Clouds &amp; Radar - <i>Future Clouds &amp; Radar</i> (two CDs; Star Apple Kingdom)<br>
<b>&#183;</b> Charlotte Gainsbourg - <i>5:55</i> (enhanced; Vice)<br>
<b>&#183;</b> Bebel Gilberto - <i>Momento</i> (Six Degrees)<br>
<b>&#183;</b> The Go Find - <i>Stars on the Wall</i> (Morr)<br>
<b>&#183;</b> God Module - <i>Let's Go Dark</i> (Metropolis)<br>
<b>&#183;</b> Buddy Greco - <i>The Man and the Music</i> (SRO)<br>
<b>&#183;</b> Gus Gus - <i>Forever</i> (Groove Attack) <a href="/music/artist/gus_gus/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
<b>&#183;</b> Colin Hay - <i>Are You Lookin' at Me?</i> (Compass)<br>
<b>&#183;</b> Armand Van Helden - <i>Guetto Blaster</i> (Ultra)<br>
<b>&#183;</b> ILikeTrains - <i>Progressive Reform</i> (Beggars Banquet)<br>
<b>&#183;</b> Joe - <i>Ain't Nothin' Like Me</i> (Jive) <a href="/music/artist/joe/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
<b>&#183;</b> Calvin Johnson &amp; the Sons of the Soil - <i>Calvin Johnson &amp; the Sons of Soul</i> (K)<br>
<b>&#183;</b> Sunshine Jones - <i>Seven Tracks in Seven Days</i> (MVD Audio)<br>
<b>&#183;</b> Ralph Lawson - <i>Fabric 33</i> (Fabric)<br>
<b>&#183;</b> Lifesavas - <i>Gutterfly</i> (Quannum Projects)<br>
<b>&#183;</b> Kalli - <i>While the City Sleeps</i> (One Little Indian)<br>
<b>&#183;</b> Kill the Romance - <i>Take Another Life</i> (Locomotive)<br>
<b>&#183;</b> Mando Diao - <i>Ode to Ochrasy</i> (enhanced; Mute)<br>
<b>&#183;</b> Keiko Matsui - <i>Moyo</i> (Shout! Factory)<br>
<b>&#183;</b> Maria McKee - <i>Late December</i> (Cooking Vinyl)<br>
<b>&#183;</b> Marillion - <i>Somewhere Else</i> (MVD Audio)<br>
<b>&#183;</b> McCarthy Trenching - <i>McCarthy Trenching</i> (Team Love)<br>
<b>&#183;</b> Messer Chups - <i>Hyena Safari</i> (AeroCCCP)<br>
<b>&#183;</b> Midnight Movies - <i>Lion the Girl</i> (New Line)<br>
<b>&#183;</b> Jane Monheit - <i>Surrender</i> (Concord)<br>
<b>&#183;</b> Kiko Navarro - <i>Perceptions of Pacha</i> (Swank)<br>
<b>&#183;</b> Nazanin - <i>Someday</i> (Bodog)<br>
<b>&#183;</b> New Years Day - <i>My Dear</i> (enhanced; TVT)<br>
<b>&#183;</b> The Nightwatchman - <i>One Man Revolution</i> (Epic) <a href="/music/artist/nightwatchman/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
Read: <a href="/news/articles/1551733/20070206/morello_tom.jhtml">"Nightwatchman, Rage Reunion Have Morello Fired Up For Political Fights"</a><br>
<b>&#183;</b> Nostradameus - <i>Pathway</i> (Locomotive)<br>
<b>&#183;</b> The Old Soul - <i>The Old Soul</i> (Friendly Fire)<br>
<b>&#183;</b> OOIOO - <i>OOEYEOO: Eye Remix</i> (EP; Thrill Jockey)<br>
<b>&#183;</b> Joel Ortiz - <i>The Brick: Bodega Chronicles</i> (Koch)<br>
<b>&#183;</b> Donny Osmond - <i>Love Songs of the '70s</i> (Decca)<br>
<b>&#183;</b> Pela - <i>Anytown Graffiti</i> (Great Society)<br>
<b>&#183;</b> Peder - <i>And He Just Pointed to the Sky ...</i> (Ubiquity)<br>
<b>&#183;</b> PlayRadioPlay! - <i>The Frequency EP</i> (Stolen Transmission)<br>
<b>&#183;</b> Polyrhythm Addicts - <i>Break Glass ...</i> (Babygrande)<br>
<b>&#183;</b> Porcupine Tree - <i>Fear of a Blank Planet</i> (limited-edition version also available; Atlantic) <a href="/music/artist/porcupine_tree/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
Read: <a href="/news/articles/1555478/20070323/porcupine_tree.jhtml">"Porcupine Tree's Wilson Talks Complex New LP, Project With Opeth's Akerfeldt"</a><br>
<b>&#183;</b> John Prine &amp; Mac Wiseman - <i>Standard Songs for Average People</i> (Oh Boy)<br>
<b>&#183;</b> Rabbit in the Moon - <i>Decade</i> (two CDs; South Beat)<br>
<b>&#183;</b> Joshua Redmond - <i>Back East</i> (Nonesuch)<br>
<b>&#183;</b> REO Speedwagon - <i>Find Your Own Way Home</i> (Mailboat)<br>
<b>&#183;</b> Sa-Ra Creative Partners - <i>The Hollywood Recordings</i> (Babygrande)<br>
<b>&#183;</b> Saturday Knights - <i>The Saturday Knights</i> (EP; Light in the Attic)<br>
<b>&#183;</b> Secret Voices - <i>No Time for Silence</i> (1K)<br>
<b>&#183;</b> Brittany Shane - <i>Brittany Shane</i> (EP; self-release)<br>
<b>&#183;</b> Simply Red - <i>Stay</i> (self-release)<br>
<b>&#183;</b> Patti Smith - <i>Twelve</i> (Columbia) <a href="/music/artist/patti_smith/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
<b>&#183;</b> Mavis Staples - <i>We'll Never Turn Back</i> (Anti-)<br>
<b>&#183;</b> Stinking Lizaveta - <i>Scream of the Iron Iconoclast</i> (At a Loss)<br>
<b>&#183;</b> Sunburned Hand of the Man - <i>Z</i> (Ecstatic Peace)<br>
<b>&#183;</b> Avey Tare &amp; Kria Brekkan - <i>Pullhair Rubeye</i> (Paw Tracks)<br>
<b>&#183;</b> Jimi Tenor &amp; Kabu Kabu - <i>Joystone</i> (Ubiquity)<br>
<b>&#183;</b> Test Your Reflex - <i>The Burning Hour</i> (RCA)<br>
<b>&#183;</b> Tilomo - <i>Soft Lunch</i> (1K)<br>
<b>&#183;</b> Toasters - <i>One More Bullet</i> (Stomp)<br>
<b>&#183;</b> Transmission O - <i>Memory of a Dream</i> (Candlelight)<br>
<b>&#183;</b> Two Cow Garage - <i>III</i> (Suburban Home)<br>
<b>&#183;</b> Vanna - <i>Curses</i> (Epitaph)<br>
<b>&#183;</b> Veils - <i>Nux Vomita</i> (enhanced; Rough Trade)<br>
<b>&#183;</b> Dale Watson - <i>From the Cradle to the Grave</i> (Hyena)<br>
<b>&#183;</b> Sara Wendt - <i>Weightless With Love</i> (EP; City Canyons)<br>
<b>&#183;</b> Deniece Williams - <i>Love, Niecy Style</i> (Shanachie)<br>
<b>&#183;</b> Young Galaxy - <i>Young Galaxy</i> (Arts &amp; Crafts)<br>
<b>&#183;</b> Young Gods - <i>Super Ready</i>/ <i>Fragmente</i> (Ipecac)<br>
<b>&#183;</b> James Zabiela and Nic Fanciulli - <i>One+One</i> (Ministry of Sound)<br>
<b>&#183;</b> Various artists - <i>A Tribute to Joni Mitchell</i> (Nonesuch)<br>
<b>&#183;</b> Various artists - <i>Ballads of the Book</i> (Chemikal Underground)<br>
<b>&#183;</b> Various artists - <i>In the Mind of Nitin Sawhney</i> (District 6)<br>
<b>&#183;</b> Various artists - <i>SC100</i> (Secretly Canadian)<br>
<b>&#183;</b> Various artists - <i>Snoop Dogg Presents: The Big Squeeze</i> (Koch) <a href="/music/artist/snoop_dogg/albums.jhtml"><font color="#FF007B">[Buy Now]</font></a><br>
Read: <a href="/news/articles/1556803/20070410/snoop_dogg.jhtml">"Snoop Says Rappers And Imus Are 'Two Separate Things'; Talks New Comp"</a><br>
<b>&#183;</b> Various artists - "Lucky You" soundtrack (Columbia)
</p><p><b>Notable Reissues and Archival Material</b>:
<b>&#183;</b> Anjani - <i>Blue Alert</i> (with DVD; Sony/Legacy)<br>
<b>&#183;</b> Arch Enemy - <i>Black Earth</i> (enhanced; Earsplit/Regain)<br>
<b>&#183;</b> Steve Austin - <i>800 Lb. Gorilla</i> (UMe)<br>
<b>&#183;</b> The Band - <i>The Best of a Musical History</i> (deluxe edition comes with DVD; Capitol)<br>
<b>&#183;</b> Laura Branigan - <i>Greatest Hits: The Best of Laura Branigan</i> (Rhino)<br>
<b>&#183;</b> Leonard Cohen - <i>Songs From a Room</i>; <i>Songs of Leonard Cohen</i>; and <i>Songs of Love And Hate</i> (Sony/Legacy)<br>
<b>&#183;</b> Ella Fitzgerald - <i>Lullabies of Birdland</i> and <i>Sweet and Hot</i> (UMe)<br>
<b>&#183;</b> Emerson, Lake &amp; Palmer - <i>Emerson, Lake &amp; Palmer</i> (Shout! Factory)<br>
<b>&#183;</b> Genesis - <i>Genesis: 1976-1981</i> (box set with six CDs and six DVDs; Rhino)<br>
<b>&#183;</b> Marduk - <i>Dark Endless</i>; <i>Heaven Shall Burn</i>; <i>Opus Nocturne</i>; <i>Those of the Unlight</i> (Regain)<br>
<b>&#183;</b> Dito Montiel - <i>Dito Montiel</i> (Rhino)<br>
<b>&#183;</b> Neil Sedaka - <i>The Definitive Collection</i> (Razor &amp; Tie)<br>
<b>&#183;</b> Various artists - "Hope Floats" soundtrack (Capitol/EMI)
</p><p><b>Music DVDs</b>:
<b>&#183;</b> Abba - "Dancing Queen Interviews" (MVD Visual)<br>
<b>&#183;</b> Bell, Maggie &amp; Midnight Flyer - "Live Montreux, July 1981" (MVD Visual)<br>
<b>&#183;</b> Blood Sweat &amp; Tears - "Spinning Wheel" (MVD Visual)<br>
<b>&#183;</b> Tim Buckley - "My Fleeting House" (MVD Visual)<br>
<b>&#183;</b> Champion - "Different Directions: The Last Show" (with CD; Bridge Nine)<br>
<b>&#183;</b> Leonard Cohen - "Under Review 1934-1977" (MVD Visual)<br>
<b>&#183;</b> Destroy All Monsters - "Grow Live Monsters" (MVD Visual)<br>
<b>&#183;</b> Aynsley Lister - "Live!" (MVD Visual)<br>
<b>&#183;</b> Todd Snider - "The Devil You Know" (New Door)<br>
<b>&#183;</b> Stryper - "Greatest Hits: Live in Puerto Rico" (MVD Visual)<br>
<b>&#183;</b> War - "Loose Grooves: Funkin' Live in England 1980" (MVD Visual)<br>
<b>&#183;</b> Wisdom in Chains - "Die for Us Live" (MVD Visual)<br>
<b>&#183;</b> Various artists - "The American Folk Blues Festivals 1963-1966: The British Tours" (UMe)<br>
<b>&#183;</b> Various artists - "The Hollywood Sound" (Kultur)<br>
<b>&#183;</b> Various artists - "The Legendary Crooners" (Standing Room Only)
</p><p><b>Coming Attractions</b>:
</p><p><b>May 1</b>:<br>
<b>&#183;</b> Tori Amos - <i>American Doll Posse</i> (special edition comes with DVD; Epic) <a href="/music/artist/amos_tori/albums.jhtml"><font color="#FF007B">[Preorder]</font></a><br>
Read: <a href="/news/articles/1556300/20070404/amos_tori.jhtml">"Tori Amos Forms Anti-Bush <i>Posse</i> By Mutating Into Greek Goddesses"</a><br>
<b>&#183;</b> Ne-Yo - <i>Because of You</i> (Def Jam) <a href="/music/artist/ne_yo/albums.jhtml"><font color="#FF007B">[Preorder]</font></a><br>
Read: <a href="/news/articles/1554601/20070314/ne_yo.jhtml">"Ne-Yo Getting To <i>Know</i> Jennifer Hudson While He Waits For Britney"</a><br>
<b>&#183;</b> Various artists - "Spider-Man 3" soundtrack (Record Collection)<br>
Read: <a href="/news/articles/1555854/20070329/killers_the.jhtml">" 'Spider-Man 3' Soundtrack Features Killers, Snow Patrol"</a>
</p><p><b>May 8</b>:<br>
<b>&#183;</b> Bj&#246;rk - <i>Volta</i> (Atlantic) <a href="/music/artist/bjork/albums.jhtml"><font color="#FF007B">[Preorder]</font></a><br>
Read: <a href="/news/articles/1554591/20070314/bjork.jhtml">"Tsunami, Timbaland Help Shape Bjork's Forthcoming <i>Volta</i>"</a><br>
<b>&#183;</b> Bones Thugs-N-Harmony - <i>Strength and Loyalty</i> (Full Surface/ Interscope) <a href="/music/artist/bone_thugs_n_harmony/albums.jhtml"><font color="#FF007B">[Preorder]</font></a><br>
Read: <a href="/news/articles/1540270/20060906/bone_thugs_n_harmony.jhtml">"Bone Thugs Dropping Two New LPs; Second Disc To Feature Dre, Kanye, Mariah"</a><br>
<b>&#183;</b> Mike Jones - <i>The American Dream</i> (Ice Age) <a href="/music/artist/mike_jones_magnificent/albums.jhtml"><font color="#FF007B">[Preorder]</font></a><br>
<b>&#183;</b> Elliott Smith - <i>New Moon</i> (two CDs; Kill Rock Stars) <a href="/music/artist/smith_elliott/albums.jhtml"><font color="#FF007B">[Preorder]</font></a><br>
<b>&#183;</b> Bobby Valentino - <i>Special Occasion</i> (Def Jam) <a href="/music/artist/valentino__bobby__rapper_/albums.jhtml"><font color="#FF007B">[Preorder]</font></a><br>
Read: <a href="/news/articles/1540940/20060914/valentino_bobby.jhtml">"Bobby Valentino Looks Out For The Ladies With New Album, Jean Line"</a>
</p><p><b>May 15</b>:<br>
<b>&#183;</b> Megadeth - <i>United Abominations</i> (Roadrunner)<br>
<b>&#183;</b> Linkin Park - <i>Minutes to Midnight</i> (Warner Bros.)<br>
Read: <a href="/news/articles/1553982/20070306/linkin_park.jhtml">"Linkin Park Finish Apocalyptic Album, Revive Projekt Revolution Tour"</a><br>
<b>&#183;</b> Wilco - <i>Sky Blue Sky</i> (enhanced; Nonesuch)
</p>

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<pubDate>24 Apr 2007 06:01:00 EDT</pubDate>
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<item>
<title><![CDATA[Postal Service's Tamborello Talks Second Album, Delivers Dntel LP]]></title>
<description><![CDATA[<p type="articleSubhead">Producer/instrumentalist says group would love to work with Ghostface Killah.<br/>By James Montgomery</p>
<p>
<a href="http://www.mtv.com/news/articles/1553375/20070227/dntel.jhtml">
<img type="photo"
src="http://www.mtv.com/shared/promoimages/bands/d/dntel/press_2007/281x211.jpg"/>
</a>
<br/>
<i type="articlePhotoCaption">Dntel</i>
<br/>
<i type="articlePhotoCredit">Photo: Brian Tamborello</i>
</p>
<p type="articleText">	

<p>
In theory, Jimmy Tamborello is "promoting" <i>Dumb Luck,</i> his new album of sleepy glitch-tronica recorded under the <i>nom de disc</i> Dntel. But when said promotion results in comments like this, it's easy to tell that his heart's not really in it:
</p><p>"I'm not gonna go out and play songs off this record ... I'll probably do some sort of release party or something like that, but that's about it. I mean, I always feel comfortable with lessened expectations," he sighed. "People can think what they want, but I just wanted to get this album out there, and now that I have, I'll just keep working on other stuff."
</p><p>His attitude is odd, because it's not like <i>Dumb Luck</i> (due April 24 on Sub Pop) is anything to be ashamed of. Boasting cameos from a who's who of indie faves &#8212; including Bright Eyes' Conor Oberst, Rilo Kiley's Jenny Lewis and Grizzly Bear's Ed Droste &#8212; and powered with Tamborello's slick-yet-threadbare soundscapes, it's a somber, certifiably chilled affair that'd be right at home in both the offices of <i>Magnet</i> magazine and the Macworld Expo.
</p><p>And, to top it off, it's something Tamborello &#8212; who has collaborated on projects by Rilo Kiley, Azure Ray and others &#8212; has been working on for nearly <i>five</i> years now.
</p><p>"It's been a long time in the making, for a variety of reasons. There were a few people that I wrote for that didn't work out. For some people, I wrote like eight different tracks. You kind of don't know if it's going to work out until it's done ... especially if you're working with strangers," he said. "When I started this one, it was right after I finished the first one [2001's <i>Life Is Full of Possibilities</i>], because once you've finished one thing, it's on to the next thing."
</p><p>Yet even Tamborello knows that most people are already looking forward to that "next thing," which in this case would be a new album from the Postal Service, the breakout electro-pop duo he formed with Death Cab for Cutie's Ben Gibbard.
</p><p>In June, Gibbard told MTV News that he and Tamborello had begun work on the follow-up to the gold-certified <i>Give Up</i> album, but added that things were progressing "slowly" (see <a href="/news/articles/1534893/20060622/postal_service.jhtml">"Ben Gibbard's Postal Service Prepping Next Delivery: Second LP"</a>). According to Tamborello, the pace of things has picked up in recent months, especially since he can finally put <i>Dumb Luck</i> behind him.
</p><p>"We're working on Postal Service now, and we're just focused on that, because we're trying to do it a lot quicker. ... We wanted to try and have it finished by the summertime," he said. "It's hard to tell if we're going to make it, because sometimes it'll come real fast on my end and sometimes I'll just have these fits of writer's block, where I don't feel like doing anything. Plus it depends on what I send Ben and what he feels like writing to."
</p><p>Tamborello said that the duo have roughly six new PS songs completed, and they hope to have a new album out by the end of the year. But he was quick to add that &#8212; at the moment &#8212; said album "isn't nearly even 50 percent done."
</p><p>"If we don't make the deadline we set for ourselves, we can extend it. Sub Pop has never given us a deadline, and we're trying our best to make it in the same environment we made the first one: We have to keep reminding ourselves that we're doing it for fun and trying to keep things casual," he said. "And that's pretty difficult to do, to be honest. I have to keep reminding myself that it doesn't have to sound like a giant mainstream pop record just because the last one got to so many people. I have to remember how the last one sounded &#8212; lo-fi and in my comfort level of production &#8212; and I want to stay that way."
</p><p>As for clues as to just what the new Postal Service album will sound like, Tamborello advises fans to check out the lengthy list of studio gear he's compiled on Dntel's MySpace page (it's under the blog headline "My Studio"). After all, most of the stuff on there was acquired thanks to the success of <i>Give Up,</i> and he's used the equipment to create everything &#8212; <i>Dumb Luck</i> included &#8212; he's done since.
</p><p>"If anything, the new [Postal Service] songs are a little bit harder ... more raw. It's very analog-sounding, because I've bought a lot of equipment since the first [record,]" he said. "A lot of it is coming from the new instruments, and the kind of sounds you can get out of them. The first one was pretty much done on one sampler, and now I have more stuff I like to use. A lot more analog synths &#8212; the new Moog Voyager and a bunch of different drum machines."
</p><p>At the moment, the record only features Tamborello and Gibbard songs. But that doesn't mean that there won't be guests, too. The duo have already sent tracks out to Jenny Lewis &#8212; who sang on <i>Give Up</i> &#8212; and they've even set their sights on landing another, rather, um, unusual voice for the album.
</p><p>"A long time ago, I heard that Ghostface Killah liked 'Such Great Heights,' and when we started this one, we were talking about figuring out some way to get a hold of him," Tamborello laughed. "If there were some way to work him into the album, it would be excellent. But we'll see about that."
</p>

</p>
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<pubDate>27 Feb 2007 02:47:00 EST</pubDate>
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<item>
<title><![CDATA[Postal Service Album Keeps On Delivering]]></title>
<description><![CDATA[<p type="articleSubhead">What began as an experimental side project has become a hit.<br/>By Rodrigo Perez</p>
<p>
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<img type="photo"
src="http://www.mtv.com/shared/media/news/images/p/Postal_Service_The/sq_postal_service_color_sp.jpg"/>
</a>
<br/>
<i type="articlePhotoCaption">The Postal Service (file)</i>
<br/>
<i type="articlePhotoCredit">Photo: Sub Pop</i>
</p>
<p type="articleText">	

<p>
The Postal Service's <I>Give Up</I> shows no sign of doing so.
</p><p>"We made that record like two years ago and it's still selling like crazy," puzzled Postal singer Ben Gibbard said. "I don't really know why."
</p><p>Like the Energizer bunny, the album, released in February 2003, keeps going and going. The collaboration between Death Cab for Cutie frontman Gibbard, Dntel mastermind Jimmy Tamborello and Rilo Kiley singer Jenny Lewis was just meant to be a fun little side project (see <a href="/news/articles/1471035/20030404/postal_service.jhtml">"Death Cab Singer Goes Postal With Electronic Side Project"</a>) but it has steadily crawled to 351,000-plus copies sold thanks to the wistful pop singles "Such Great Heights" and "The District Sleeps Tonight."
</p><p>The group's sleeper-hit debut melds pop and electronic beats in a manner that plays to the strengths of each genre to create a hybrid some have dubbed "lap-pop," because a laptop computer figures prominently in its production and performance.
</p><p>But along with its surprising heights, the Postal Service story has also had its potential pitfalls. The United States Postal Service threatened to sue if the band didn't change its moniker, apparently not understanding that the group had nothing but respect for the USPS &#8212; Gibbard and Tamborello, living hundreds of miles apart, relied on the mail to record their debut.
</p><p>"I went down to L.A. and had a meeting with some guys who worked at the [USPS]. It worked out and we came to a consensus," Gibbard said. "After all, I mean, we made a record using the U.S. Postal Service at a time when [they're] losing [money] because people are doing everything electronically. The bottom line is they're being really cordial about it."
</p><p>As part of their deal to make nice, the Postal Service will perform at the annual USPS convention on November 17 in Washington, D.C.
</p><p>In the meantime, the group recently made a video for their cover of Phil Collins' "Against All Odds" from the "Wicker Park" soundtrack. (<A HREF="/music/video/premiere/the_postal_service/index.jhtml">Be sure to check out the "Against All Odds" video premiere here.</A>)
</p><p>"I've always had a soft spot for Phil Collins. He's a great vocalist. And the thing is that I can't [really] sing that song," Gibbard said. "I was trying to do the vocals for that song in my house and there are all these little inflections and flutters. It's really acrobatic."
</p><p>Skeptics may scratch their heads over the group's choice of cover songs, but for the Postal Service, pop isn't a four-letter word. "I've covered Avril Lavigne. I like good pop songs, and I don't think there should be any kind of preconceptions about where good pop songs come from," Gibbard said adamantly. "At the core you are heading towards the same ends &#8212; you're trying to create this three-minute little symphony."
</p><p>After "Against All Odds," the group's next video will be for <I>Give Up</I>'s "Silhouettes," which will be helmed by "Napoleon Dynamite" writer/director Jared Hess.
</p><p>"He talks exactly like all the characters in the movie," Gibbard said. "He's like, 'Dude, I've got a sweet concept for the video.' "
</p><p>While the group is being tight-lipped about the concept, one can assume the video will touch upon the song's themes &#8212; one that the Postal Service frontman says evolved from post-September 11 anxiety.
</p><p>"Every time you turned on the news there was something to be scared about," Gibbard said of the days following 9-11. "I feel that we are currently living in a world that is similar to late '50s/ early '60s kind of world. All the propaganda that we see today is on par with the propaganda from [that era], but it can't be laughed off now because that threat exists."
</p><p>As for the next Postal Service record, don't hold your breath. Death Cab for Cutie and Dntel are both scheduled to issue new discs before the Postal Service regroup. But the idea is there.
</p><p>"I think realistically we'll probably start working on the next record over the next year or two. ... I don't want to rush it. But there will be another record," Gibbard said.
</p><p>Given the success of both of his groups, some have wondered where Gibbard's allegiance lies, and while he insists Death Cab are his main band, he doesn't shortchange his thriving electronic group.
</p><p>"My heart is in everything I do," he said. "I don't half-ass anything."
</p>

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<title><![CDATA[Dntel - Rock My Boat]]></title>
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<li type="videoDirector">Director: Will Perrens/Jenny Cobden/Tom Hicks</li>
<li>Album: <a type="videoAlbum" href="http://www.mtv.com/music/artist/dntel/albums.jhtml">Dumb Luck</a>
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<pubDate>7 May 2008 12:00:00 EDT</pubDate>
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<title><![CDATA[Dntel - The Distance]]></title>
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<media:description type="html"/>
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<pubDate>18 May 2007 12:00:00 EDT</pubDate>
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