| Year |
|
Movie |
|
Role |
| 2003 |
|
Charlie Chaplin: The Forgotten Years |
|
Featured Music |
| 1992 |
|
Chaplin |
|
Book Author |
| 1975 |
|
Smile |
|
Featured Music |
| 1967 |
|
A Countess from Hong Kong |
|
Screenwriter |
| 1967 |
|
A Countess from Hong Kong |
|
Director |
| 1967 |
|
A Countess from Hong Kong |
|
Composer (Music Score) |
| 1967 |
|
A Countess from Hong Kong |
|
Producer |
| 1957 |
|
A King in New York |
|
Producer |
| 1957 |
|
A King in New York |
|
Screenwriter |
| 1957 |
|
A King in New York |
|
Director |
| 1957 |
|
A King in New York |
|
Composer (Music Score) |
| 1952 |
|
Limelight |
|
Screenwriter |
| 1952 |
|
Limelight |
|
Director |
| 1952 |
|
Limelight |
|
Composer (Music Score) |
| 1952 |
|
Limelight |
|
Producer |
| 1952 |
|
Limelight |
|
Choreography |
| 1947 |
|
Monsieur Verdoux |
|
Editor |
| 1947 |
|
Monsieur Verdoux |
|
Composer (Music Score) |
| 1947 |
|
Monsieur Verdoux |
|
Producer |
| 1947 |
|
Monsieur Verdoux |
|
Director |
| 1947 |
|
Monsieur Verdoux |
|
Screenwriter |
| 1940 |
|
The Great Dictator |
|
Producer |
| 1940 |
|
The Great Dictator |
|
Screenwriter |
| 1940 |
|
The Great Dictator |
|
Director |
| 1936 |
|
Modern Times |
|
Producer |
| 1936 |
|
Modern Times |
|
Screenwriter |
| 1936 |
|
Modern Times |
|
Director |
| 1936 |
|
Modern Times |
|
Composer (Music Score) |
| 1931 |
|
City Lights |
|
Composer (Music Score) |
| 1931 |
|
City Lights |
|
Producer |
| 1931 |
|
City Lights |
|
Director |
| 1931 |
|
City Lights |
|
Screenwriter |
| 1931 |
|
City Lights |
|
Editor |
| 1928 |
|
The Circus |
|
Editor |
| 1928 |
|
The Circus |
|
Screenwriter |
| 1928 |
|
The Circus |
|
Composer (Music Score) |
| 1928 |
|
The Circus |
|
Cinematographer |
| 1928 |
|
The Circus |
|
Director |
| 1928 |
|
The Circus |
|
Producer |
| 1925 |
|
The Gold Rush |
|
Producer |
| 1925 |
|
The Gold Rush |
|
Director |
| 1925 |
|
The Gold Rush |
|
Screenwriter |
| 1925 |
|
The Gold Rush |
|
Editor |
| 1925 |
|
The Gold Rush |
|
Composer (Music Score) |
| 1923 |
|
A Woman of Paris |
|
Producer |
| 1923 |
|
The Pilgrim |
|
Screenwriter |
| 1923 |
|
A Woman of Paris |
|
Screenwriter |
| 1923 |
|
A Woman of Paris |
|
Director |
| 1923 |
|
The Pilgrim |
|
Director |
| 1923 |
|
A Woman of Paris |
|
Composer (Music Score) |
| 1923 |
|
The Pilgrim |
|
Producer |
| 1922 |
|
Pay Day |
|
Composer (Music Score) |
| 1922 |
|
Pay Day |
|
Producer |
| 1922 |
|
Pay Day |
|
Director |
| 1921 |
|
The Kid |
|
Producer |
| 1921 |
|
The Idle Class |
|
Director |
| 1921 |
|
The Kid |
|
Screenwriter |
| 1921 |
|
The Kid |
|
Director |
| 1921 |
|
The Idle Class |
|
Composer (Music Score) |
| 1921 |
|
The Kid |
|
Composer (Music Score) |
| 1921 |
|
The Idle Class |
|
Screenwriter |
| 1919 |
|
Sunnyside |
|
Screenwriter |
| 1919 |
|
A Day's Pleasure |
|
Producer |
| 1919 |
|
Sunnyside |
|
Director |
| 1919 |
|
A Day's Pleasure |
|
Screenwriter |
| 1919 |
|
A Day's Pleasure |
|
Director |
| 1919 |
|
Sunnyside |
|
Composer (Music Score) |
| 1919 |
|
A Day's Pleasure |
|
Composer (Music Score) |
| 1918 |
|
A Dog's Life |
|
Composer (Music Score) |
| 1918 |
|
Triple Trouble |
|
Screenwriter |
| 1918 |
|
The Bond |
|
Director |
| 1918 |
|
A Dog's Life |
|
Producer |
| 1918 |
|
How to Make Movies |
|
Director |
| 1918 |
|
The Bond |
|
Producer |
| 1918 |
|
A Dog's Life |
|
Screenwriter |
| 1918 |
|
A Dog's Life |
|
Director |
| 1918 |
|
Triple Trouble |
|
Director |
| 1917 |
|
Cure |
|
Producer |
| 1917 |
|
The Immigrant |
|
Producer |
| 1917 |
|
Shoulder Arms |
|
Producer |
| 1917 |
|
Easy Street |
|
Director |
| 1917 |
|
Shoulder Arms |
|
Screenwriter |
| 1917 |
|
Shoulder Arms |
|
Director |
| 1917 |
|
The Adventurer |
|
Director |
| 1917 |
|
Easy Street |
|
Producer |
| 1917 |
|
Cure |
|
Director |
| 1917 |
|
The Immigrant |
|
Director |
| 1917 |
|
Shoulder Arms |
|
Composer (Music Score) |
| 1917 |
|
The Adventurer |
|
Producer |
| 1916 |
|
The Fireman |
|
Director |
| 1916 |
|
The Vagabond |
|
Producer |
| 1916 |
|
The Burlesque on Carmen |
|
Screenwriter |
| 1916 |
|
Police |
|
Director |
| 1916 |
|
Behind the Screen |
|
Director |
| 1916 |
|
The Count |
|
Director |
| 1916 |
|
The Rink |
|
Director |
| 1916 |
|
The Pawnshop |
|
Producer |
| 1916 |
|
One A.M. |
|
Director |
| 1916 |
|
The Fireman |
|
Producer |
| 1916 |
|
The Vagabond |
|
Screenwriter |
| 1916 |
|
Police |
|
Screenwriter |
| 1916 |
|
Behind the Screen |
|
Producer |
| 1916 |
|
The Count |
|
Producer |
| 1916 |
|
The Rink |
|
Producer |
| 1916 |
|
One A.M. |
|
Producer |
| 1916 |
|
The Floorwalker |
|
Director |
| 1916 |
|
The Vagabond |
|
Director |
| 1916 |
|
The Burlesque on Carmen |
|
Director |
| 1916 |
|
The Pawnshop |
|
Director |
| 1916 |
|
The Floorwalker |
|
Producer |
| 1915 |
|
Work |
|
Screenwriter |
| 1915 |
|
In the Park |
|
Director |
| 1915 |
|
Shanghaied |
|
Screenwriter |
| 1915 |
|
The Champion |
|
Screenwriter |
| 1915 |
|
By the Sea |
|
Director |
| 1915 |
|
A Night in the Show |
|
Screenwriter |
| 1915 |
|
A Woman |
|
Director |
| 1915 |
|
In the Park |
|
Screenwriter |
| 1915 |
|
His New Job |
|
Director |
| 1915 |
|
By the Sea |
|
Screenwriter |
| 1915 |
|
The Bank |
|
Director |
| 1915 |
|
The Tramp |
|
Director |
| 1915 |
|
Cave Man |
|
Director |
| 1915 |
|
A Woman |
|
Screenwriter |
| 1915 |
|
A Jitney Elopement |
|
Director |
| 1915 |
|
Work |
|
Director |
| 1915 |
|
His New Job |
|
Screenwriter |
| 1915 |
|
Shanghaied |
|
Director |
| 1915 |
|
The Champion |
|
Director |
| 1915 |
|
The Bank |
|
Screenwriter |
| 1915 |
|
The Tramp |
|
Screenwriter |
| 1915 |
|
Cave Man |
|
Screenwriter |
| 1915 |
|
A Night in the Show |
|
Director |
| 1915 |
|
A Jitney Elopement |
|
Screenwriter |
| 1914 |
|
Caught in the Rain |
|
Director |
| 1914 |
|
The New Janitor |
|
Director |
| 1914 |
|
Mabel's Married Life |
|
Screenwriter |
| 1914 |
|
The Knockout |
|
Director |
| 1914 |
|
His Trysting Place |
|
Screenwriter |
| 1914 |
|
Twenty Minutes of Love |
|
Director |
| 1914 |
|
Her Friend the Bandit |
|
Director |
| 1914 |
|
The Rounders |
|
Director |
| 1914 |
|
The Face on the Bar Room Floor |
|
Director |
| 1914 |
|
His New Profession |
|
Director |
| 1914 |
|
The Masquerader |
|
Director |
| 1914 |
|
Laughing Gas |
|
Director |
| 1914 |
|
The Property Man |
|
Director |
| 1914 |
|
His Musical Career |
|
Director |
| 1914 |
|
The Rounders |
|
Screenwriter |
| 1914 |
|
Gentlemen of Nerve |
|
Director |
| 1914 |
|
A Busy Day |
|
Director |
| 1914 |
|
The Masquerader |
|
Screenwriter |
| 1914 |
|
Mabel's Married Life |
|
Director |
| 1914 |
|
The Property Man |
|
Screenwriter |
| 1914 |
|
His Trysting Place |
|
Director |
| 1914 |
|
Dough and Dynamite |
|
Director |
| 1914 |
|
Those Love Pangs |
|
Director |
| 1914 |
|
Getting Acquainted |
|
Director |
| 1914 |
|
Recreation |
|
Director |