| 1980 |
|
The Last Metro
|
|
French Academy of Cinema |
|
Best Director |
| 1980 |
|
The Last Metro
|
|
French Academy of Cinema |
|
Best Picture |
| 1980 |
|
The Last Metro
|
|
French Academy of Cinema |
|
Best Original Screenplay |
| 1980 |
|
The Last Metro
|
|
Academy of Motion Picture Arts and Scie |
|
Best Foreign Language Film |
| 1975 |
|
The Story of Adele H.
|
|
New York Film Critics Circle |
|
Best Screenplay |
| 1974 |
|
Day for Night
|
|
Academy of Motion Picture Arts and Scie |
|
Best Director |
| 1974 |
|
Day for Night
|
|
Academy of Motion Picture Arts and Scie |
|
Best Original Screenplay |
| 1973 |
|
Day for Night
|
|
National Society of Film Critics |
|
Best Director |
| 1973 |
|
Day for Night
|
|
British Academy of Film and Television |
|
Best Picture |
| 1973 |
|
Day for Night
|
|
Academy of Motion Picture Arts and Scie |
|
Best Foreign Language Film |
| 1973 |
|
Day for Night
|
|
New York Film Critics Circle |
|
Best Director |
| 1973 |
|
Day for Night
|
|
British Academy of Film and Television |
|
Best Director |
| 1970 |
|
The Wild Child
|
|
National Board of Review |
|
Best Director |
| 1969 |
|
Stolen Kisses
|
|
National Society of Film Critics |
|
Best Director |
| 1968 |
|
Stolen Kisses
|
|
Academy of Motion Picture Arts and Scie |
|
Best Foreign Language Film |
| 1968 |
|
Stolen Kisses
|
|
French Film Critics Circle |
|
Prix Louis-Delluc |
| 1962 |
|
Jules and Jim
|
|
British Academy of Film and Television |
|
Best Film - Any Source |
| 1960 |
|
The 400 Blows
|
|
British Academy of Film and Television |
|
Best British Film |
| 1959 |
|
The 400 Blows
|
|
Academy of Motion Picture Arts and Scie |
|
Best Original Screenplay |
| 1959 |
|
The 400 Blows
|
|
Cannes Film Festival |
|
Best Director |