| 1998 |
|
American Film Institute |
|
100 Greatest American Movies |
| 1992 |
|
National Society of Film Critics |
|
Best Screenplay |
| 1992 |
|
New York Film Critics Circle |
|
Best Supporting Actor |
| 1992 |
|
National Society of Film Critics |
|
Best Supporting Actor |
| 1992 |
|
Hollywood Foreign Press Association |
|
Best Performance by an Actor in a Supporting Role in a Motion Pic |
| 1992 |
|
National Society of Film Critics |
|
Best Picture |
| 1992 |
|
Academy of Motion Picture Arts and Scie |
|
Best Picture |
| 1992 |
|
Directors Guild of America |
|
Best Director |
| 1992 |
|
National Society of Film Critics |
|
Best Actor - Runner-up |
| 1992 |
|
Academy of Motion Picture Arts and Scie |
|
Best Director |
| 1992 |
|
National Society of Film Critics |
|
Best Director |
| 1992 |
|
Academy of Motion Picture Arts and Scie |
|
Best Editing |
| 1992 |
|
Academy of Motion Picture Arts and Scie |
|
Best Supporting Actor |
| 1991 |
|
National Society of Film Critics |
|
Best Picture |
| 1991 |
|
National Society of Film Critics |
|
Best Director |
| 1991 |
|
Los Angeles Film Critics Association |
|
Best Supporting Actor |
| 1991 |
|
Hollywood Foreign Press Association |
|
Best Director |
| 1991 |
|
Los Angeles Film Critics Association |
|
Best Actor |
| 1991 |
|
Los Angeles Film Critics Association |
|
Best Screenplay |
| 1991 |
|
Los Angeles Film Critics Association |
|
Best Picture |
| 1991 |
|
Los Angeles Film Critics Association |
|
Best Director |
| 1991 |
|
National Society of Film Critics |
|
Best Supporting Actor |