| 2001 |
|
Screen Actors Guild |
|
Best Supporting Actor |
| 2001 |
|
Broadcast Film Critics Association |
|
Best Song |
| 2001 |
|
Academy of Motion Picture Arts and Scie |
|
Best Score |
| 2001 |
|
Los Angeles Film Critics Association |
|
Best Production Design (Runner-up) |
| 2001 |
|
American Film Institute |
|
Best Production Design |
| 2001 |
|
National Board of Review |
|
Best Production Design |
| 2001 |
|
British Academy of Film and Television |
|
Best Picture |
| 2001 |
|
American Film Institute |
|
Best Picture |
| 2001 |
|
National Board of Review |
|
Special Achievement in Filmmaking |
| 2001 |
|
British Academy of Film and Television |
|
Orange Award |
| 2001 |
|
Academy of Motion Picture Arts and Scie |
|
Best Visual Effects |
| 2001 |
|
National Board of Review |
|
Best Supporting Actress |
| 2001 |
|
Toronto Film Critics Association |
|
Best Supporting Actor [Runner-up] |
| 2001 |
|
British Academy of Film and Television |
|
Best Special Visual Effects |
| 2001 |
|
American Film Institute |
|
Best Picture |
| 2001 |
|
Chicago Film Critics Association |
|
Best Cinematography |
| 2001 |
|
Academy of Motion Picture Arts and Scie |
|
Best Cinematography |
| 2001 |
|
Broadcast Film Critics Association |
|
Best Composer |
| 2001 |
|
Chicago Film Critics Association |
|
Best Original Score |
| 2001 |
|
Los Angeles Film Critics Association |
|
Best Music Score |
| 2001 |
|
British Academy of Film and Television |
|
Best Makeup and Hair |
| 2001 |
|
Academy of Motion Picture Arts and Scie |
|
Best Makeup |
| 2001 |
|
Toronto Film Critics Association |
|
Best Director [Runner-up] |
| 2001 |
|
British Academy of Film and Television |
|
Best Director |
| 2001 |
|
American Film Institute |
|
Best Digital Effects |