| 1999 |
|
Berlin International Film Festival |
|
Special Mention |
| 1999 |
|
Berlin International Film Festival |
|
Golden Bear |
| 1999 |
|
French Academy of Cinema |
|
Best Foreign Language Film |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Editing |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Editing |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Picture |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Picture |
| 1998 |
|
National Board of Review |
|
Best Picture |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Sound |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Sound |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Sound |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Editing |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Dramatic Score |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Cinematography |
| 1998 |
|
American Society of Cinematographers |
|
Best Cinematography |
| 1998 |
|
Chicago Film Critics Association |
|
Best Cinematography |
| 1998 |
|
National Society of Film Critics |
|
Best Cinematography |
| 1998 |
|
New York Film Critics Circle |
|
Best Cinematography |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Director |
| 1998 |
|
Chicago Film Critics Association |
|
Best Director |
| 1998 |
|
Directors Guild of America |
|
Best Director |
| 1998 |
|
New York Film Critics Circle |
|
Best Director |
| 1998 |
|
National Society of Film Critics |
|
Best Director (Runner-up) |
| 1998 |
|
Academy of Motion Picture Arts and Scie |
|
Best Adapted Screenplay |