| When recording the follow-up to their massively influential and popular 1997 debut, Homework, Daft Punk like Moses after parting the Red Sea faced the eternal question: What to do for an encore? Dynamic in seemingly every way, including production, scope and reach, Homework has since become that special album that not only flawlessly embodies the next phase of a music's evolution but also stands for something: in this case, that dance music (specifically, house music) is a viable art form in the album format.
The Parisian duo of Thomas Bangalter and Guy-Manuel de Homem-Christo finally returned from their hiatus in December with "One More Time." Until that triumphant step back into the spotlight, they were focused on their self-run house labels, Bangalter's Roulé and Homem-Christo's Crydamoure. But their new, new sound was more than a bit bemusing: Heavy on pop sheen and light on intensity, it heralded a new Daft Punk, with its eye firmly fixed on the much-maligned "larger audience." Even a cursory listen to the rest of the hotly anticipated Discovery revealed an unmistakable drifting away from Homework's dancefloor fireworks toward emotional tenderness and introspection. Where their debut had "Da Funk" and "Rollin' & Scratchin'," the new album has the funked-up ballads "Digital Love" and "Something About Us" and the instrumental excursions "Voyager" and "Veridis Quo."
To be sure, Bangalter, 26, and Homem-Christo, 27, still kick out the jams on Discovery, on tracks such as the Barry Manilow-sampling "Superheroes," and "High Life," only now they're kicking with a soft-soled, comfortable shoe instead of a combat boot. Bangalter gave Eric Demby the lowdown on this hoedown.
Doing their homework to make Discovery different and cramming 40 ideas into three minutes ... NEXT >>>
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