Tommy Roe

  • Atlanta, GA
    hometown
  • Classic Rock
    genre
  • 1959
    started
  • Bio
    full story
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About Tommy Roe


Widely perceived as one of the archetypal bubblegum artists of the late '60s, Tommy Roe cut some pretty decent rockers along the way, especially early in his career -- many displaying some pretty prominent Buddy Holly roots. In fact, Roe's initial pop smash, 1962's chart-topping "Sheila," was quite reminiscent of Holly's "Peggy Sue," utilizing a very similar throbbing drumbeat and Roe's hiccuping vocal. The singer had previously cut the song for the smaller Judd label before remaking it in superior form for ABC-Paramount. The infectious "Everybody" -- another hot item the next year -- was waxed in Muscle Shoals at Rick Hall's Fame studios, normally an R&B-oriented facility (it's not widely known that Roe wrote songs for the Tams, a raw-edged soul group from his Atlanta hometown). Once Roe veered off on his squeaky-clean bubblegum tangent, he stuck with it for the rest of the decade. His lighthearted "Sweet Pea" and "Hooray for Hazel" burned up the charts in 1966, and he was still at it three years later when he waxed his biggest hit, "Dizzy," and "Jam Up Jelly Tight." ~ Bill Dahl, Rovi

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Discography

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  • Full Bloom (1977)
    Tommy Roe
    Full Bloom (1977)
    Monument Records
  • Energy (1976)
    Tommy Roe
    Energy (1976)
  • We Can Make Music (1970)
    Tommy Roe
    We Can Make Music (1970)
    Bellaphon Records
  • Dizzy (1969)
    Tommy Roe
    Dizzy (1969)
    ABC Records
  • It's Now Winters Day (1967)
    Tommy Roe
    It's Now Winters Day (1967)
    Fallout
  • Phantasy (1967)
    Tommy Roe
    Phantasy (1967)
    Fallout
  • Sweetpea (1966)
    Tommy Roe
    Sweetpea (1966)
    Paramount Records
  • Ballads and Beat (1965)
    Tommy Roe
    Ballads and Beat (1965)
  • Everybody Likes Tommy Roe (1964)
    Tommy Roe
    Everybody Likes Tommy Roe (1964)
  • Something for Everybody (1963)
    Tommy Roe
    Something for Everybody (1963)
    Paramount Records
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