About The Raveness
A pre-eminent mix of multi-instrumentalist work, multilingual spoken word, sound effects and phonograph lo-fi, with subtle hints of world sounds. A vinyl addict wholly self-taught to incorporate different styles growing up with a variety of vintage musicians and composers, and a plethora of Classical and Early music, with the traditional characters of Spain, Italy, France, Wales and Argentina - Música Andalusí, Celtic, Gwerz, Flamenco, Tango, and Performance Poetry - birthing a combination that unexpectedly, and to her comfort, attained global recognition without a magazine spread or fancy photograph. As did the trademark of La fée verte hot toddy in tea ware termed Emerald blood (2001). Having no defined taste, she also initially became renowned as the original pioneering with a signature distorted blend of harpsichord and organ, a modern claviorganum in heavy resonance. An exhilarating avant-garde approach to the genre from a complete autodidact who has never received any training.