Richard Yardumian (April 5, 1917 - August 15, 1985) was an Armenian-American classical music composer.
Yardumian was born in Philadelphia, Pennsylvania, the youngest of ten children to Armenian immigrant parents, and began studying the piano at a very early age. His mother, Lucia, was a teacher and organist, and his father, the Rev. Haig Yardumian, was the founding pastor of the Philadelphia Armenian Evangelical community, which later became the Armenian Martyrs' Congregational Church, now located in Havertown, PA.
Very little has been written about Yardumian's early life, but it is known that his family's household was busy and musical. Elijah Yardumian, a concert pianist and a product of the Curtis Institute, served as a musical mentor to his younger brother Richard, who began composing at age 14 and began a formal study of piano, harmony, theory and counterpoint at age 21. He was only 19 when he wrote his most popular piece, The Armenian Suite. This work, later recorded by the Philadelphia Orchestra, the Utah Symphony, the Bournemouth Symphony, and the Singapore Symphony Orchestra, was also used as the signature theme for the Voice of America radio program Behind the Iron Curtain. Yardumian's earlier compositions frequently reflect the Armenian folk songs and religious melodies he was exposed to as a child.
The Great Depression of the 1930s precluded advanced formal music training for Yardumian, but he continued to progress on his own time. He was a private in the army during World War II when, in 1945, Eugene Ormandy and the Philadelphia Orchestra premiered Desolate City, which marked Yardumian's debut as a composer. This was also the beginning of his long association with Ormandy, which led to several recordings on the Columbia label. Throughout the history of their relationship, the Philadelphia Orchestra premiered ten of Yardumian's works, bringing the total of known performances worldwide to nearly 100. This number includes the performances of his Story of Abraham, a multi-media composition that included the broadcast of Andre Girard's unique hand-painted 70mm film sequences.
In 1967, Fordham University, in celebration of its 125th anniversary, commissioned Yardumian to write his mass, Come Creator Spirit, which was premiered at Lincoln Center that year with mezzo-soprano Lili Chookasian. This musically complex piece is now rarely if ever performed, yet it stands as an interesting contribution to the Catholic musical canon, if for no other reason than for its having been penned by a Protestant.
In the 1950s, Yardumian began writing hymns for The Lord's New Church Which Is Nova Hierosolyma, a Swedenborgian congregation, in Bryn Athyn, Pennsylvania, a church he later joined and for which he became musical director.
He was a National Patron of Delta Omicron, an international professional music fraternity.
Yardumian died of complications following a heart attack at home in Bryn Athyn on August 15, 1985. He was the father of thirteen children, including pianist Vera Yardumian and painter Nishan Yardumian.
Armenian Suite (1),
Cantus animae et cordis for strings (1955) (2) (recorded by Eugene Ormandy and the Philadelphia Orchestra in string orchestra form (3)),
Chorale-prelude on plainsong Veni Sancte Spiritus, for orchestra (4),
Flute Quintet (1951),
Symphony No. 1 (1950), No. 2 Psalms for medium voice and orchestra (written 1947-64 5),
Violin Concerto (1949, revised 1960) (6),
Passacaglia, Recitative and Fugue for piano and orchestra (1957; played by John Ogdon in concert 7 and recorded by him twice: with the Royal Philharmonic Orchestra under Igor Buketoff; and the Bournemouth Symphony Orchestra under Paavo Berglund (8)).,
Chromatic sonata (1946; recorded by John Ogdon on HMV SLS 868)