Luigi Russolo (30 April 1883 - 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises (1913). He is often regarded as one of the first noise music experimental composers with his performances of noise music concerts in 1913-14 and then again after World War I, notably in Paris in 1921. He designed and constructed a number of noise-generating devices called Intonarumori.
Luigi Russolo was perhaps the first noise artist. His 1913 manifesto, L'Arte dei Rumori, translated as The Art of Noises, stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining and envisioned noise music as its future replacement.
He designed and constructed a number of noise-generating devices called Intonarumori and assembled a noise orchestra to perform with them. A performance of his Gran Concerto Futuristico (1917) was met with strong disapproval and violence from the audience, as Russolo himself had predicted. None of his intoning devices have survived, though recently some have been reconstructed and used in performances. Although Russolo's works bear little resemblance to modern noise music, his pioneering creations cannot be overlooked as an essential stage in the evolution of the several genres in this category, and many artists are now familiar with his manifesto.
At first the art of music sought purity, limpidity and sweetness of sound. Then different sounds were amalgamated, care being taken, however, to caress the ear with gentle harmonies. Today music, as it becomes continually more complicated, strives to amalgamate the most dissonant, strange and harsh sounds. In this way we come ever closer to noise-sound.
Antonio Russolo, another Italian Futurist composer and Luigi's brother, produced a recording of two works featuring the original Intonarumori. The 1921 made phonograph with works entitled Corale and Serenata, combined conventional orchestral music set against the famous noise machines and is the only surviving sound recording.
Russolo and Marinetti gave the first concert of Futurist music, complete with intonarumori, in April 1914 (causing a riot). The program comprised four "networks of noises" with the following titles:
Awakening of a City,
Meeting of cars and aeroplanes,
Dining on the terrace of the Casino and,
Skirmish in the oasis.,
Some of his instruments were destroyed in World War II; others have simply disappeared. Replicas of the instruments are built however.
Art of Noises classification of noise types:
The Art of Noises classified "noise-sound" into six groups:
Roars, Thunderings, Explosions, Hissing roars, Bangs, Booms,
Whistling, Hissing, Puffing,
Whispers, Murmurs, Mumbling, Muttering, Gurgling,
Noises obtained by beating on metals, woods, skins, stones, pottery, etc.,
Voices of animals and people, Shouts, Screams, Shrieks, Wails, Hoots, Howls, Death rattles, Sobs,
Screeching, Creaking, Rustling, Buzzing, Crackling, Scraping
Text from this biography licensed under creative commons license