MTV Artists

Millions of artists.
Your pocket.
One app.
Download now

Download on the App Store Stay in
My Browser
Esther Phillips (December 23, 1935 - August 7, 1984) was an American singer. Phillips was known for her R&B vocals, but she was a versatile singer, also performing pop, country, jazz, blues and soul music. Biography: Early life: Born Esther Mae Jones in Galveston, Texas. When she was an adolescent, her parents divorced, and she was forced to divide her time between her father in Houston and her mother in the Watts area of Los Angeles. Because she was brought up singing in church, she was hesitant to enter a talent contest at a local blues club, but her sister insisted and she complied. A mature singer at the age of 14, she won the amateur talent contest in 1949 at the Barrelhouse Club owned by Johnny Otis. Otis was so impressed that he recorded her for Modern Records and added her to his traveling revue, the California Rhythm and Blues Caravan, billed as "Little Esther Phillips" (she reportedly took the surname from a gas station sign). Early career: Her first hit record was "Double Crossing Blues", recorded in 1950 for Savoy Records. After several hit records with Savoy, including her duet with Mel Walker on "Mistrusting Blues", which went to number one that year, as did "Cupid Boogie". Other Phillips records that made it onto the U.S. Billboard R&B chart in 1950 include "Misery" (number 9), "Deceivin' Blues" (number 4), "Wedding Boogie" (number 6), and "Faraway Blues" (number 6). Few female artists, R&B or otherwise, had ever enjoyed such success in their debut year. Phillips left Otis and the Savoy label at the end of 1950 and signed with Federal Records. But just as quickly as the hits had started, they stopped. Although she recorded more than thirty sides for Federal, only one, "Ring-a-Ding-Doo", charted; the song made it to number 8 in 1952. Not working with Otis was part of her problem; the other part was her drug usage. By the middle of the decade Phillips was chronically addicted to drugs. Being in the same room when Johnny Ace shot himself on Christmas Day, 1954, while in-between shows in Houston, did not help matters. In 1954, she returned to Houston to live with her father to recuperate. Short on money, she worked in small nightclubs around the South, punctuated by periodic hospital stays in Lexington, Kentucky, stemming from her addiction. In 1962, Kenny Rogers re-discovered her while singing at a Houston club and got her signed to his brother Leland's Lenox label. Comeback: Phillips ultimately got well enough to launch a comeback in 1962. Now billed as Esther Phillips instead of Little Esther, she recorded a country tune, "Release Me," with producer Bob Gans. This went to number 1 R&B and number 8 on the pop listings. After several other minor R&B hits on Lenox, she was signed by Atlantic Records. Her cover of The Beatles' song "And I Love Him" nearly made the R&B Top Ten in 1965 and the Beatles flew her to the UK for her first overseas performances. She had other hits in the 1960s on the label, such as the critically acclaimed Jimmy Radcliffe song "Try Me" on YouTube that featured the saxophone work of King Curtis and is often mistakenly credited as the James Brown song of the same title, but no more chart toppers, and she waged a battle with heroin dependence. With her addiction worsening, Phillips checked into a rehab facility where she met fellow vocalist Sam Fletcher. While undergoing treatment, she cut some sides for Roulette in 1969, mostly produced by Leland Rogers. On her release, she moved back to Los Angeles and re-signed with the Atlantic label. Her friendship with Sam Fletcher resulted in a late 1969 gig at Freddie Jett's Pied Piper club that produced the album Burnin'. She performed with the Johnny Otis Show at the Monterey Jazz Festival in 1970. The 1970s: One of her biggest post-1950s triumphs was in 1972 with her first album for Kudu Records. The song penned by Gil Scott-Heron, "Home Is Where the Hatred Is" - an account of drug use -- was lead track on From a Whisper to a Scream, which went on to be nominated for a Grammy Award. When Phillips lost to Aretha Franklin, the latter presented the trophy to Phillips, saying she should have won it instead. In 1975, she scored her biggest hit single since "Release Me" with a disco-style update of Dinah Washington's "What a Diff'rence a Day Makes". It reached a high of a Top 20 chart appearance in the U.S., and Top 10 in the UK Singles Chart. On November 8, 1975 she performed the song on an episode of NBC's Saturday Night (Now Saturday Night Live) hosted by Candice Bergen. The accompanying album of the same name became her biggest seller yet, with arranger Joe Beck on guitar, Michael Brecker on tenor sax, David Sanborn on alto sax, and Randy Brecker on trumpet to Steve Khan on guitar and Don Grolnick on keyboards. She continued to record and perform throughout the 1970s and early 1980s, completing a total of seven albums on Kudu and four with Mercury Records, for whom she signed in 1977. In 1983, she charted for the final time on a tiny independent label, winning with "Turn Me Out," which reached No. 85 R&B. She completed recording her final album a few months before her death, but it was not until 1986 that the label (Muse) released the record. Death: Phillips died at UCLA Medical Center in Carson, California in 1984, at the age of 48 from liver and kidney failure due to drug use. Her funeral services were conducted by Johnny Otis. She was buried in the Morning Light section at Forest Lawn - Hollywood Hills Cemetery in Los Angeles. The bronze marker recognizes her career achievements, as well as quoting a Bible passage: "In My Father's House Are Many Mansions" - St. John 14:2 Rock and Roll Hall of Fame: Phillips has been twice nominated for the Rock and Roll Hall of Fame in 1986 and 1987 without getting in. Grammy nominations: Career Nominations: 4, Esther Phillips Grammy Award History Year Category Title Genre Label Result 1970 Best Rhythm & Blues Vocal Performance - Female "Set Me Free" R&B Atlantic Nominee 1972 Best Rhythm & Blues Vocal Performance - Female "From a Whisper to a Scream" R&B Kudu/CTI Nominee 1973 Best Rhythm & Blues Vocal Performance - Female "Alone Again (Naturally)" R&B Kudu/CTI Nominee 1975 Best Rhythm & Blues Vocal Performance - Female "What a Diff'rence a Day Makes" R&B Kudu/CTI Nominee

Source: Wikipedia

Text from this biography licensed under creative commons license