Lyrically, MODERN BLUES deals with life, love, loss and finding a way to pick up the pieces to move forward. Donovan’s father passed away in 2006, which inspired the album’s opening track, Closer. “It was a very difficult time. My dad taught me so much. He introduced me to music and I wanted to write a song that would celebrate what an amazing person he was.” Donovan says. “Kevin came up with this new tuning which I used to write Closer. I felt my dad’s spirit as I was writing the song. He loved Motown, so I wrote the song with a “Motown” beat in mind. I “borrowed” the drum pattern from Stop! In The Name of Love by The Supremes.”
MODERN BLUES is a driving and dynamic record. There are moments that recall the atmospheric feel of the first album. But those moments are soon followed by a wall of guitars supported by the powerful rhythm section of Bachmann (bass) and album collaborator, Brad Booker (drums & co-producer). “We wanted this record to have more of a groove to it.”
MODERN BLUES is the sound of a band growing. “LAPUSH take their influences and blend them into a sound that is uniquely their own.” – Amplifier Magazine.
Another major influence on this record was Brian Wilson. “I was listening to Pet Sounds religiously over the past year.” Recalls Donovan. “In the past, I’ve always used guitars or keyboards as layers and this time around I wanted to use my voice.” The Brian Wilson-inspired voices become apparent on the album’s final track, All The Lost Souls. All The Lost Souls also features Richard Fortus (Guns N Roses, BT, Psychedelic Furs) on cello and Adam Maness (Erin Bode) on Fender Rhodes Piano.
The album title is a summation of what the songs are about—life struggles or “blues”. Donovan adds, “Losing a parent is a criminal feeling. It doesn’t fade after a few months. The pain is deep. And we wouldn't want it any other way. Death teaches us that life is precious.” That’s the sound of MODERN BLUES.