This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2010)
Kamran N. İnce (born May 6, 1960) is a Turkish-American composer.
2 His music,
5 List of works
5.2 Large ensemble,
5.3 Small ensemble (chamber music),
8 External links,
Ince was born in Glendive, Montana, and at the age of six moved with his family to Turkey. He entered the Ankara State Conservatory at the age of ten, in 1971, where he began studying cello and piano, and took composition lessons with İlhan Baran. In 1977 Ince entered the İzmir University where he studied composition with Muammer Sun, but returned to the United States in 1978. He enrolled at the Oberlin College in Ohio in 1980, earning a Bachelor of Music degree in 1982, and went on to complete his master's and doctoral degrees from the Eastman School of Music in 1984 and 1987. His teachers there included David Burge (piano), Joseph Schwantner, Christopher Rouse, Samuel Adler and Barbara Kolb (composition).
Ince won a Prix de Rome and a Guggenheim Fellowship in 1987, and the Lili Boulanger Memorial Prize in 1988. In 1990, he moved to Ann Arbor, Michigan to become a visiting professor at the University of Michigan, and in 1992 joined the faculty of the University of Memphis, where he teaches composition, co-directs the University of Memphis Imagine New Music Festival. In addition, Kamran İnce founded the Center for Advanced research in Music at Istanbul Technical University, which he has directed since 1999.
Journalist Blair Dedrick described İnce's music as
characterized . . . by its ability to pinpoint the sonorous strains present in the jagged dissonance of elements such as a smooth cello yearning suddenly broken by an incongruent spatter of drum beats.
His music has been described as post-minimalist, that is, it makes use of near repetition, tonal language, but avoiding traditional tonal functionality, and influence of world music. Indeed, his Concerto for Orchestra, Turkish Instruments and Voices uses an actual Turkish ensemble mixed with Western instruments.
His musical palette tends toward large-scale works, mainly for orchestra or ensemble; he has also composed several smaller works for either solo instrument ( In Memoriam: 8/17/99 for piano ) or solo instrument and piano (Lines for clarinet and piano).
Although several of his works display this sudden movement between slow chord movements and the nattering of percussion and / or instruments, such as Flight Box (2001) or Hammer Music (1990), other pieces use a more consistent texture, such as the energetic F E S T for New Music Ensemble and Orchestra (1998) or the subdued Curve (1998).
A critic for the Los Angeles Times called him
that rare composer, able to sound connected with modern music and yet still seem exotic, Kamran Ince is a force on the cutting edge of contemporary composition, bridging the East and the West.
1987 Rome Prize,
1987 Guggenheim Fellowship ,
1988 Lili Boulanger Prize,
List of works:
Before Infrared (1986),
Concerto for Orchestra, Turkish Instruments (ney, kemence, 2 zurnas) and Voices (2002),
Concerto for Piano and Orchestra (1984),
Deep Flight (1988),
Ebullient Shadows (1987),
F E S T for New Music Ensemble and Orchestra (1998),
Hot, Red, Cold, Vibrant (1992),
Infrared Only (1985),
Remembering Lycia (1996),
Symphony No. 1 Castles in the Air (1989),
Symphony No. 2 Fall of Constantinople (1994),
Symphony No. 3 Siege of Vienna (1995),
Symphony No. 4 Sardis (2000),
Symphony No. 5 Galatasaray (2005),
Viper's Dance derived from Symphony No. 1, 1989 revised in 1993,
Evil Eye Deflector (1996),
Flight Box (2001),
Hammer Music (1990),
In White, Violin Concerto (1999),
Love under Siege(1997),
Night Passage (1992),
One Last Dance (1991),
Requiem Without Words (2004),
Sonnet #395 (1991),
Strange Stone (2004),
Turquoise/Strange Stone (2005),
Waves of Talya (1989),
Small ensemble (chamber music):
Fantasie of a Sudden Turtle (1990),
Kaç ("Escape") (1983),
Köcekce (1984) (After a Black Sea folk dance),
MKG Variations for cello solo (1998); also version for guitar,
Road to Memphis for viola and harpsichord (2008),
The Blue Journey (1982),
Cross Scintillations (1986),
In Memoriam: 8/17/99 (1999),
Kevin's Dream (1994),
My Friend Mozart (1987),
Sheherazade Alive (2003),
An Unavoidable Obsession (1988),
Symphony in Blue (2012)