Inayat Hussain Bhatti (1928-1999) was a Pakistani singer, actor, producer, director, script writer, social worker, columnist, religious scholar and a protagonist of the development of Punjabi language and literature. As a religious scholar he addressed Majalis of Imam Hussain (A.S) all his life on fourth Muharram and ninth Muharram at Imam Bargah Havelli Sadaat Gujranwala Pakistan.
== Family == In 1953 Bhatti married Mohtarma Shahida Bano (d. 12 March 1997). They had two sons and three daughters. Their elder son Nadeem Abbas Bhatti is a film producer, who also played a lead role in Ishq Roug (1991) but then shifted his focus to film distribution. Their younger son Waseem Abbas Bhatti is a well-known film, TV and stage artist.Kifayat Hussain Bhatti (1943-13 March 2009) was the younger brother of Inayat Hussain Bhatti.Both brothers were well-known film actors as well as film producers.They appeared together in more than 24 Pakistani movies- mostly movies made in the Punjabi language.Younger brother Kifayat liked to use his given nickname 'Kaifi' on film screens and on his movie credits.Therefore,all the Pakistani official film records and most international large websites list his records under his one word nickname 'Kaifi'.
Bhatti was born in Gujrat on 12 January 1928, the son of Fazal Ellahi Bhatti, a Bhatti Muslim Rajput, who was a prominent social worker in Gujrat. He attended public high school and later graduated from Zamindar College, Gujrat. During the early phases of his life, Bhatti enjoyed his association with these two persons, both from Gujrat. They were Syed Ijaz Hussain Gilani, a practicing lawyer, whose abrasive interest in fine arts, especially music and drama, won him the appreciation of a large number of music buffs and connoisseurs, and Mr. Asghar Hayat Jaura, a well known Kabbadi player from Gujrat with whom Bhatti Sahib shared many common interests. The late artiste from Mohalla Fattupura, Gujrat, spent several formative years of his life in the company of these individuals in Gujrat and Lahore. He became interested in the lives and works of the Sufi saints and the poetry of Waris Shah, Bulleh Shah, Baba Farid, Mian Muhammad Bakhsh since his early college days, mainly because of his association with the above mentioned two persons.
In December 1948, he came to Lahore with the intention to study law and initially stayed at MAO College hostel, Lahore. His destiny, however, had different plans for him, A few months after his arrival in Lahore, he did his first performance on stage in the YMCA Hall, Lahore, in a play produced by Syed Ijaz Hussain Gilani, which focused on the freedom struggle of the Kashmiri freedom fighters. After his YMCA auditorium performance, Bhatti accompanied Ijaz Gilani to Radio Pakistan, Lahore, where he met and became a formal pupil of Master Niaz Hussain Shami, a composer then working for Radio Pakistan in Lahore. It was his association with and training under Master Niaz Hussain Shami, which facilitated Bhatti Sahib's participation in regular radio programs as a singer. He sometimes used to accept character roles in plays broadcast by the Lahore station of Radio Pakistan. once he was memorising some lines while having tea at the radio canteen when Rafi Peer, a play- writer, overheard him. He went up to him and asked whether he would act as the Hero in his play Akhian (Eyes). This was a Godsend for Bhatti Sahib who readily accepted the offer and acted to Peer's satisfaction. Rafi Peer wanted Bhatti Sahib to speak Punjabi in the Sargodha dialect, this he did excellently and Rafi Peer was happy with his selection.
Bhatti was introduced to composer Ghulam Ahmed Chishti by Master Shami in 1949, who offered him an opportunity to record a few songs in producer-director Nazir's film Pheray (1949). The song 'aakhiyan laanveen naan', a duet with Munawar Sultana for that film was an instant hit. Other songs of that movie, includes the solo recorded in the voice of Bhatti, also won wide popularity, and are still remembered for their lively compositions. Courtesy of G.A.Chishti and the movie Pheray (1949), Bhatti became an almost overnight celebrity and fortune began to smile on him. After his debut in the films as playback singer, Bhatti's vocal recourses were successfully employed by several music directors- including Ghulam Haider, Master Inayat Hussain and Rashid Attre, for recording their songs in a number of films. Spotting his histrionic talent, producer-director Nazir offered Bhatti Sahib the leading role in his Punjabi film Heer (1955) against Sawaran Lata, which he acted in successfully and to the satisfaction of the producer, director, actor Nazir. The film did good business at the box office. For several decades thereafter; it was a complete success story for the late singer and actor Bhatti.
He was the first superstar playback singer of Pakistan after its independence in 1947. His career spanned almost five decades. In 1997, he suffered an attack of paralysis, which impaired his speech and kept him bed-ridden for most of the time thereafter. A few days before his death, the 71 year old artiste was taken to his native home Gujrat, where on 31 May 1999, He died and was buried next to his parents.
Career in folk theater:
During the 1960s, Bhatti also took to folk theatre acting and singing, and toured the rural hinterland of the Punjab along with his theatre group, where he entertained a vast multitude of village folks with his songs and recitation of the works of the great Sufi poets like 'Waris Shah, Bulleh Shah, Mian Muhammad Bakhsh , Sultan Bahoo, Shah Abdul Latif Bhittai'. He possessed a strong but melodious voice, particularly suited for the crooning of songs derived from folk melodies of Punjab. he could have prolonged his career in the theatres, but for his acting stints, which kept him away from theatre. In 1996 Bhatti was invited to attend a Cultural Mela in Mohali, India, by the then Minister of East Punjab, Mr. Harnek Singh Gharun, the Indian National Congress leader. Inayat Hussan Bhatti enthralled the listeners with immense depth and range of his voice. Beginning with the Punjabi folk love tale 'Heer', he held the audience spellbound for four hours with the choicest Punjabi folk songs, including some popular hits from his own films, 'Urdu Ghazals',Punjabi 'Mahiya', and ended with 'Mirza' folk song, the most powerful poetic legend of Punjab. In 1997, he was invited to attend a musical event at Chandigarh, India. The event was organised by 'The Punjabi Aalam', a cultural organisation. Bhatti once again captivated the audience for hours and received standing ovation from the audience.
Career in films:
Bhatti was the only male artist in Pakistan film industry who achieved super stardom both as an actor and a singer simultaneously. His first venture, as a film producer was the film Waris Shah (1962), based upon the life and works of the great Sufi poet of Punjab, the film despite not being a successful box office hit, captured the hearts of the entire literary circles. His second film as a producer Moonh Zor (1965) was also not successful, but then in 1967 his third film Chann Makhna (1968) in which he played the lead role, proved to be a block buster at the box office and received the Nigar Award as the best picture of 1968. This was followed by a string of hit movies such as Sajjan pyara (1968), Jind Jan (1969), Duniya Matlab Di (1970), Ishq Diwana (1971), and Zulam Da Badla (1972) which broke all the previous box office records and transformed Bhatti into a superstar actor of the Punjabi movies. He also produced, directed and acted in three Saraiki language films simultaneously. The themes of all movies produced by him, were based on some social malady of the Punjabi culture. For this reason,these films were popular with the audience and have become true classical Punjabi films. From the late 1960s to the mid 1990s, the name of Bhatti pictures was synonymous with success and fame.
During his celluloid career, spanning almost five decades, he produced 30 films under the banner of 'Bhatti Pictures' and acted in more than three hundred films. He rendered his voice for approximately 500 films, recording more than 2500 film and non-film songs in Urdu, Punjabi, Sindhi, Bengali and Saraiki. One of his na'at in Arabic is regularly broadcast on Radio Pakistan Lahore, during the holy month of Ramadan since the last four decades. Bhatti's patriotic song 'Allah-O-Akbar' from the film Genghis Khan (1958) has become a signature tune for the Armed Forces of Pakistan. His contribution to Pakistani melodic culture, especially its folk varieties, had been widely acknowledged. Late Bhatti, who also made significant contributions to the development and promotion of theatre and the Pakistani cinema in its infancy, is remembered fondly by the large number of people specially in the rural areas of Pakistan. A number of his songs recorded for Pakistani films are still recalled with a great deal of nostalgia by the senior music buffs in Pakistan.
===Brief chronology of his songs===
Aakhiyan Laanveen Naan - Pheray (1949),
Suway chooray waliay - Shammi (1950),
Treekaan bugtan ge tere Mapay - Laarey (1950),
Baghaan walayoo naam japho Moula naam - Shehri Babu (1953),
Hun Birian noo kar lay band ni - Heer (1955),
Sanoo Sajna de milne di tang ay - Heer (1955),
Doli chardian marian Heer cheekan - Heer (1955),
Nikal kar teri Mehfil se - Ishq-e-Laila (1957,
Mohabbat ka jinaza ja raha hai - Ishq-e-Laila (1957),
Sadi nazraan toon hoian kahnu door das ja - Zulfaan (1957),
Ajj muk gai ay ghamaan wali shaam - Kartar Singh (1959),
Ajj aakhan Waris Shah nu - Kartar Singh (1959),
Kare na bharosa koi Duniya de pyar da - Mitti dian Moortan (1960),
Qadam barhao, Sathio - Saltanat (1960),
Aithe wage ne Ravi te Channa, Belia - Chacha Khamkha (1963),
Teray ishq nachaya kar kay thayya thayya - Waris Shah (1964),
Taynu suttian jaag na ayee - Hadd haram (1965),
Wah Moula, teri be-parwai - Moonh Zor (1966),
Duniya chala chali ka Mela - Sham Sevayra (1967),
Chann mere makhna - Chann Makhna (1968),
Sajjan pyara mile koi dukh pholiye - Sajjan Pyara (1968),
Jind aakhan ke Jan o sajana - Jind Jan (1969),
O tak, dilbariya, a dilbariya - Kochwan (1969),
Duniya matlab di o yar - Duniya Matlab Di (1970),
Main labhna wan, us Yaar noo - Rab Di Shan (1970),
Sada na bagheen bulbul bole - Sajjan Beli (1970),
Balliye, chal Pind noo challiye - Duniya Paisay Di (1971),
O maran zara naeen darde - Geo Jatta (1971),
Dushman mare te khushi na kariye - Ishq Diwana (1971),
Sucha souda pyar, jhoot naeen bolna - Sucha Souda (1971),
Zulf da Kundal khule na - Dhol Jawanian Mane (1972),
Dilbar milsi kayroo war - Dil Naal Sajjan De (1972),
Milay ga zulam da badla - Zulam Da Badla (1972),
Menda ishq vi toon ,iman vi toon - Dhian Nimanian (1973),
Gum sum rehn layi - Challenge (1974),
Dharti sadi bhagan wali - Dharti Dey Lal (1974),
O jinday, wah jind apni - Sohna Daku (1974),
Jani raat reh poh gali kreasun - Rab Da Roop (1975),
Nadde naal la ke yaari - Dankay Di Chot (1976),
Chitti blor jayi Naar - Jagga Gujjar (1976),
Ki haal sunawan dil da - Haider Dalair (1978),
Nashe diye botlay na eini att chukk ni - Maula Jatt (1979),
Tera torhan ga gharoor main Zaroor ni - Jernail Singh (1987),
Ranjhan yaara wai - Jat Majheh Da (1988),
Bhatti's immense talent as a singer was employed by two generations of music directors. In the 1950s, Rasheed Attre and in the 1970s and 1980s, his son, Wajahat Attre, composed many super hit songs by using his vocal talent.
His music directors include: G.A. Chisti, Master Inayat Hussain, Ghulam Haider, Asghar Ali, Mohammad Hussain, Rasheed Attre, Safdar Hussain, Gul Haider, Mehnu, Tufail Farooqi, Akhtar Hussain, Rehman Verma, Aashiq Hussain, Qadir Faridi, Rafiq Ali, Shad Amrohi, Taalib Hussain, Kamal Ahmed, Salim Iqbal, Tasudduq Hussain, Mohammad Ali Shabbir, Wazir Ali, M. Ashraf, Tafoo, Bhagg Gee, Master Abdullah, Nazir Ali, Bakshi Wazir and Wajahat Attre.
Beside his solo career as a singer, he is credited with hundreds of film duet songs, from Noor Jehan and Malika Pukhraj to Mala, Irene Parveen, Zubaida Khanum, Munawar Sultana, Kousar Parveen, Naseem Begum, Naheed Niazi, Tasawwur Khanum and Afshan. As a tribute to this legend, his numerous hit songs have been remixed by the new generation of Pakistani singers including Abrar-ul-Haq, Shazia Manzoor, Naseebo Lal, Arif Lohar and many others.
Shehri Babu (1953),
Kartar Singh (1959),
Waris Shah (1964),
Moonh Zor (1966),
Sham Savera (1967),
Chann Makhna (1968),
Sajjan Pyara (1968),
Danke Di Chot (1968),
Jind Jan (1969),
Duniya Matlab Di (1970),
Sajjan Beli (1970),
Sucha Sauda (1971),
Ishq Diwana (1971),
Dhol Jawanian Mane (1972),
Sajjan Dushman (1972),
Dil Nal Sajjan Dey (1972),
Zulam Da Badla (1972),
Dhian Nimanian (1973),
Dharti Dey Lal (1974),
Paishaver Badmash (1975),
Rabb Da Roop (1975),
Jagga Gujjar (1976),
Danke Di Chot (1976),
Sadkey Teri Maut Ton (1977),
Haider Delair (1978),
Takht Ya Takhta (1979),
Lahu Dey Rishtay (1980),
Mile Ga Zulm Da Badla (1981),
Jatt Majhay Da (1989),
Ishq Rog (1989),
His female co-stars include: Sawaran Lata,Zeenat, Nigar Sultana, Bahar, Meena, Shirin, Yasmeen, Sabira Sultana, Rani, Firdous, Saloni, Husna, Neelo and Khannum.
Despite his busy schedule, he also gave time to television and did numerous programs. In the early 1970s, he did Bhatti Da Dayrah, a musical cum talk show every week for a year. In the 1990s, Bhatti compered a series of TV programmes entitled Ujala on the Sufi saints of Pakistan, and wrote its scripts. The series provided the viewers a look in his Sufistic leanings, and enlightened them about the lives and works of the Sufi poets. It was a great success and eagerly watched by audience of all description and ages for almost three years. It earned its producer, Qaisar Ali Shah, the Ptv Award for best religious program.
As a columnist:
Bhatti was at ease in the company of scholars, his keen eye and kind heart made him venture into the realms of journalism as well. For years his column 'Challenge' graced the Urdu newspaper Daily Pakistan. In this column he pointed out the maladies of Pakistani society without any fear. It was a well read newspaper column.
Although a movie star, he was God fearing and a philanthropist by nature. He always took time to help the poor and distressed. In 1971 he built and donated a 'Complete Tuberculosis Treatment Ward' for poor and needy patients in Gulab Devi Hospital, Lahore in the name of his mother Barkat Bibi. Until his death in 1999, he supported it financially and with other services. He was against religious sectarianism and was respected by religious scholars of all shades; the Government of Punjab had, on numerous occasions, sought his help in creating religious harmony by way of appointing him as a member of Ittihad Bainul Muslimeen Organisation and a member of the Peace Committee.
Bhatti also dabbled in politics by joining Pakistan Peoples Party of Zulfikar Ali Bhutto in 1975. He surprised everyone with his speeches and turned out to be an excellent orator, during the election campaigns of 1977 and 1988, he energetically campaigned for his party, often attending and addressing several different rallies in a single day. During the late 1980s, he was appointed 'secretary of party's cultural wing', a position which he held for a year and then resigned because of his various other commitments. His contribution for Pakistan Peoples Party is fondly remembered and discussed by the senior party members and supporters.
In 1985 elections, during General Muhammad Zia-ul-Haq's regime, he contested for a seat in the National Assembly from NA 95, and lost by a narrow margin. Later in his life, he joined All Jammu and Kashmir Muslim Conference of Sardar Muhammad Abdul Qayyum Khan, with whom he shared a cordial relationship. He was a protagonist of the development of Punjabi language and literature. In the 1970s, along with two other like minded personalities, Mr. Zia Shahid (now chief editor of daily newspaper, Khabrain), and Mr. Masood Khaderposh (a retired bureaucrat), he started the publication of a weekly magazine Kahani (story) for the endorsement of Punjabi language and literature. Bhatti Sahib was also the chairman of Punjab Workers Movement, founded in the 1980s for the same objectives. He was also an outstanding speaker on different themes of Islam, addressed hundreds of "majalis" and participated in Muharram congregations regularly.
Bhatti's efforts did not go unrewarded, some of the honours bestowed by the Pakistani society at large are:
Awards and Decorations:
In recognition of his social services, the Pakistan Medical Association on 2 January 1974, awarded him with Medical College Color, the ceremony was held at Nishtar Medical College, Multan. He is the first and until today, the only non-medical person in the subcontinent to receive this honour.,
After Prince Karim Agha Khan IV and the late prime minister Zulfikar Ali Bhutto, he became the third person to be given honorary life membership of the Punjab Press Club during the mid 1970s.,
Gold medal from the chief minister of Sindh for his patriotic song 'Allah-o-Akbar'.,
Gold Medal from Pakistan Peoples Party (1976).,
Lifetime Achievement Award from Nigar Awards.,
Lifetime Achievement Award from Bolan Academy.,
Honorary life membership of the Pakistan Film Producers' Association.,
President of Rajput Bhatti Association of Pakistan,
Life chairman of Pakistan Singers' Association.,
Chairman of rehabilitation council of Gulab Devi Hospital, Lahore.,
Shields and trophies presented to him by Lions Clubs International and Rotary Club Multan on 2 January 1974, for his services to promote Saraiki culture through his Saraiki films and songs.,
EMI recording company awarded him a Silver Disc for his 25th year of association with the company (7 December 1976).,
Golden Jubilee film award from Jang Group of Newspapers on 4 July 1996.,
Numerous other awards, medals, shields and commendation certificates from various literary Punjabi committees and associations.,
For his patriotic songs, Bhatti was bestowed with the following honours by the Pakistan Armed Forces:,
He was the honorary member of numerous army units.,
Shields of honour from
12 Medium Regiment, Artillery on the eve of 32nd raising day.,
Officers of 43 Baluch Regiment.,
48 Signal Battalion 7 January 1993.,
The Century six Artillery Unit.,
He was equally popular across the border in East Punjab (India) and was bestowed with the following honours.
Awarded with a shield and a trophy by Rotary Club Amritsar South 23 July 1980,
Awarded with a medallion and a trophy on the occasion of 11 December 1996, International Punjabi Cultural Festival at Mohali 26-27 November 1996,
Awarded a shield by Chandigarh Press Club, Chandigarh, India, presented to him by the honourable Mr. Justice Amarjit Chaudry, acting chief justice of the Punjab and Haryana High Court 22 October 1997.,
Awarded a shield by the Punjabi Intellectual Forum Chandigarh 25 October 1997,
shield and a medallion by Sur layamunch Jalandhar 24 December 1997,
Shield and medallion by Prof. Mohan Singh Foundation, Amritsar 1997,
After his demise in 1999, Prof. Mohan Singh Foundation Amritsar, announced the "Inayat Hussain Bhatti Memorial Award" as a tribute to him. The first award under this category was awarded to Jasbir Jassi Gurdaspuria of Kudi Kudi fame, in 2001 at Ludhiana.
Text from this biography licensed under creative commons license