Hauschka (Volker Bertelmann) is an independent experimental musician based in Dusseldorf, Germany who is internationally recognized as a 21st century exponent of prepared piano technique, a tradition dating back to late 19th and early 20th century French composer Erik Satie. The piano is prepared when "preparations" (consisting of nearly any conceivably applicable object or material) are inserted between the strings or onto the hammers of the instrument; a wider application of the term takes in all manner of additional modifications that expand the sonic and operative possibilities of the piano. Hauschka has successfully combined the chamber music aspect of prepared piano (see composers Henry Cowell, John Cage, Christian Wolff, Max Richter, Maurice Delage, and Arvo Pärt) with pop, rock, and electronic sensibilities.
Hauschka's music might be said to reference (inadvertently perhaps) all of these aspects of the prepared piano equation, and he could even be regarded as a conceptual cousin of Denman Maroney, Erik Griswold, Sylvain Chaveau, and Anthony Pateras. His playfully repetitive constructs, which certainly reflect the influence of Satie, are also at times reminiscent of early keyboard works by Philip Glass or something from out of the minds of Terry Riley and Steve Reich. His best work suggests the achievements of Frank Pahl, Pascal Comelade, Yann Tiersen, and Henry Brant as well as the self-perpetuating modalities associated with gamelan. Hauschka, who with Luke Sutherland and Stefan Schneider is a member of Music A.M., has collaborated with Torsten Mauss to actuate the club/electronic duo Tonetraeger. Bertelmann often releases more than one Hauschka album a year, such as 2005's Substantial and Hauschka: The Prepared Piano and 2007's Versions of the Prepared Piano and Room to Expand. With 2008's Ferndorf, which featured a string duo, Bertelmann reached a new level of prominence; the Snowflakes and Carwrecks EP followed in 2009. Hauschka collaborated with San Francisco's Magik*Magik Orchestra on the following year's full-length Foriegn Landscapes, and 2011's Salon des Amateurs featured members of Calexico and mum. Bertelmann returned in 2012 with Silfra, a collaboration with violinist Hilary Hahn that was inspired by Iceland's Silfra rift. ~ arwulf arwulf, Rovi
We here at Prefixmag HQ in Los Angeles go weak in the knees at the mere mention of transplanted midwestern folk singer/songwriter Tom Brosseau, who br...
We here at Prefixmag HQ in Los Angeles go weak in the knees at the mere mention of transplanted midwestern folk singer/songwriter Tom Brosseau, who br...
understand them in the first place. Nonetheless, there were some lovely moments - 'I'm Like The Paper', played on the Celtic harp and doubled by the o...
Artist: Hauschka Album: Salon des Amateurs Release Date: April 12 (U.S.), April 11 (UK) Label: 130701/FatCat Tracklist: 01 Radar 02 Two AM 03 Girls 04...
of Hauschka and Nancy Elizabeth, wordlessly singing alongside Blackshaw's bare guitar motif. The hushed awe of the audience is replaced with applause ...
Volker Bertelmann is to release a new album under his familiar Hauschka pseudonym, his first since last year's Foreign Landscapes. The new one is call...
Hauschka aka the incredible Düsseldorf dwelling composer and prepared piano maestro Volker Bertelmann, has this week released his utterly hypnotic and...
Hauschka aka the incredible Düsseldorf dwelling composer and prepared piano maestro Volker Bertelmann, has this week released his utterly hypnotic and...
tunes, but probably not in the way Radio1 means... Bear in Heaven's Avant Garde Mixtape Speaking of 'long songs', the chaps from Bear in Heaven made u...