Ed Wood Jr

This article is about film director. For the film about his life, see Ed Wood (film). For other people named Edward Wood, see Edward Wood (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2013) Ed Wood Born Edward Davis Wood, Jr., (1924-10-10)October 10, 1924, Poughkeepsie, New York, U.S. Died December 10, 1978(1978-12-10) (aged 54), Los Angeles, California, U.S. Cause of death Heart attack Occupation Screenwriter, film director, film producer, actor, author, and editor Years active 1947-1978 Spouse(s) Norma McCarty (m. 1955-1956), Kathleen O'Hara (m. 1959-1978) Military career Allegiance United States Service/branch United States Marine Corps Years of service 1942-46 Battles/wars World War II: Guadalcanal Campaign, Battle of Tarawa, Edward Davis "Ed" Wood, Jr. (October 10, 1924 - December 10, 1978) was an American screenwriter, director, producer, actor, author, and film editor. In the 1950s, Wood made a number of low-budget science-fiction, horror, and cowboy genre films, intercutting stock footage. In the 1960s and 1970s, he made sexploitation movies and wrote over 80 pulp crime, horror, and sex novels. In 1980 he was posthumously awarded a Golden Turkey Award as Worst Director of All Time, renewing public interest in his work Wood's unsuccessful career and camp approach has earned him and his films a cult following. Following the publication of Rudolph Grey's biography Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr. (1992), Wood's life and work have undergone a public rehabilitation of sorts, leading up to director Tim Burton's biopic of Wood's life, Ed Wood (1994), a critically acclaimed film which earned two Academy Awards. Early yearsedit: Wood's father, Edward Sr., worked for the U.S. Postal Service as a custodian, and his family relocated numerous times around the United States. Eventually, they settled in Poughkeepsie, New York, where Ed Wood, Jr., was born. According to Wood's second wife Kathy O'Hara, Wood's mother Lillian would dress him in girl's clothing when he was a child because she had always wanted a daughter. For the rest of his life, Wood was a heterosexual crossdresser. During his childhood, Wood was interested in the performing arts and pulp fiction. He collected comics and pulp magazines, and adored movies, most notably Westerns and anything involving the occult. He would often skip school in favor of watching pictures at the local movie theater, where stills from the day's movie would often be thrown in the trash by theater staff, allowing Wood to salvage them to add to his extensive collection. In 1936, Wood received his first movie camera, a Kodak "Cine Special," on his 12th birthday. One of his first pieces of footage, and one that imbued him with pride, was the airship Hindenburg passing over the Hudson River at Poughkeepsie, shortly before its famous fiery demise at Lakehurst, New Jersey. One of Wood's first paid jobs was as a cinema usher, and he also sang and played drums in a band. He later fronted a singing quartet called "Eddie Wood's Little Splinters", having learned to play a variety of string instruments. Military serviceedit: In 1942, Wood enlisted in the United States Marine Corps, just months after the Attack on Pearl Harbor. Assigned to the 6th and 7th Defense Battalions, he reached the rank of Corporal before he was discharged. He was involved in the Battle of Tarawa, among others, and during the war, he lost his two front teeth to a Japanese soldier's rifle butt and was shot several times in the leg by a machine gunner. Wood later claimed that he feared being wounded in battle because he wore a women's bra and panties under his uniform. In 1946, Wood was discharged from the military and joined a carnival. His several missing teeth and disfigured leg (wounds suffered while in combat) combined with personal fetishes and acting skills made him a perfect candidate for the freak show. Wood played, among others, the geek and the bearded lady. As the bearded lady, he donned women's clothing and created his own prosthetic breasts by inflating his nipples with air. Carnivals would be frequently depicted in Wood's works, most notably the semi-autobiographical novel, Killer in Drag. Careeredit: Directing and screenwritingedit: In 1947, Wood moved to Hollywood, California. He wrote scripts and directed television pilots, commercials, and several forgotten micro-budget westerns with names such as Crossroads of Laredo and Crossroad Avenger: The Legend of the Tucson Kid. In 1948, Wood wrote, produced, directed, and starred in Casual Company, a play from his unpublished novel which was based on his service in the United States Marine Corps. It opened at the Village Playhouse to negative reviews on October 25. In 1952, Wood was introduced to actor Bela Lugosi by friend and fellow writer-producer Alex Gordon, Ed's roommate at the time, who went on to help create American International Pictures. Contrary to the Tim Burton film's events, Wood did not meet Lugosi in a coffin store, nor was Lugosi ever known to use foul language when referring to rival actor Boris Karloff. Lugosi's son, Bela Lugosi, Jr., has been among those who felt Wood exploited the senior Lugosi's stardom, taking advantage of the fading actor when he could not refuse any work, while most documents and interviews with other Wood associates in Nightmare of Ecstasy suggest that Wood and Lugosi were genuine friends and that Wood helped Lugosi through the worst days of his depression and addiction. Lugosi had become dependent on painkillers as a way of controlling his debilitating sciatica over the years. Glen or Glendaedit: In 1953, Wood wrote and directed the exploitative semi-documentary, Glen or Glenda (originally titled I Changed My Sex), with producer George Weiss, which starred Wood (under the alias "Daniel Davis"), his girlfriend Dolores Fuller, and Lugosi as a god-like narrator. The film was loosely based on transsexual Christine Jorgensen. Jail Baitedit: In 1954, Wood directed and produced a crime film, Jail Bait (originally titled The Hidden Face), along with co-writer Alex Gordon, which starred Lyle Talbot and Steve Reeves. Bela Lugosi was supposed to play the lead role of the plastic surgeon, but was busy when filming started and had to bow out. Bride of the Monsteredit: In 1955, Wood produced and directed the horror film, Bride of the Monster (originally titled Bride of the Atom), based on an original story idea by Alex Gordon which he entitled The Atomic Monster., which starred Bela Lugosi, Swedish wrestler Tor Johnson, and Loretta King. Following the making of this film, Lugosi turned himself in to the state hospital for treatment for his drug addiction. Plan 9 from Outer Spaceedit: In 1956, Wood produced, wrote and directed the science-fiction film, Plan 9 from Outer Space (originally titled Grave Robbers from Outer Space), which starred Lugosi (in his final film), Tor Johnson, Vampira (Maila Nurmi), Tom Mason (who doubled for Lugosi in several scenes), and Criswell as the narrator. The film was premiered at a small screening in 1957, and was only released theatrically in 1959. In 1961, it was sold to late night television, greatly expanding its audience. The Violent Yearsedit: In 1956, Wood wrote and produced the exploitation film, The Violent Years (originally titled Teenage Girl Gang), with director William M. Morgan, starring Playboy model Jean Moorhead. Night of the Ghoulsedit: In 1958, Wood wrote, produced, and directed Night of the Ghouls (originally titled Revenge of the Dead), starring Tor Johnson, Criswell, Valda Hansen and Kenne Duncan. The film was only released (marginally) in March 1959, and then promptly vanished from sight for nearly three decades, when it was resurrected on home video. The Sinister Urgeedit: In 1960, Wood wrote and directed the exploitation film The Sinister Urge (originally titled Racket Queen), starring Kenne Duncan, Duke Moore, and Carl Anthony. Filmed in five days, this is the last mainstream film Wood directed, although it has grindhouse elements. Ironically, his career would soon spiral downward into a blur of "smut racket" nudie flicks, softcore pornography, and end with X-rated novels and films. The scenes of teenagers at a pizza place were shot in 1956 for the unfinished juvenile-delinquency film Rock and Roll Hell (a.k.a. Hellborn). This includes a fight scene performed by Ed Wood himself (uncredited) and Conrad Brooks. Orgy of the Deadedit: In 1963, Wood wrote the screenplay for Shotgun Wedding, an exploitation film about hillbillies marrying child brides, and Wood's transitional film, once again combining two genres, horror and grindhouse skin-flick, was 1965's Orgy of the Dead, originally titled Nudie Ghoulies. Wood handled various production details while Stephen C. Apostolof directed under the pseudonym A.C. Stephen. The film begins with a re-creation of the opening scene from the then unreleased Night of the Ghouls. Criswell, wearing one of Lugosi's old capes, rises from his coffin to deliver an introduction taken almost word-for-word from the previous film. Set in a misty graveyard, the Lord of the Dead (Criswell) and his sexy consort, the Black Ghoul (a Vampira lookalike), preside over a series of macabre performances by topless dancers from beyond the grave (recruited by Wood from local strip clubs). Together, Wood and Apostolof went on to make a string of sexploitation flims up to 1977. Wood co-wrote the screenplays and occasionally acted. Venus Flytrap (1970), a US/Japan horror film, was based on an unproduced Wood screenplay from the 1950s. Books and novelsedit: Beginning in the early 1960s, Wood wrote at least eighty lurid crime and sex novels in addition to hundreds of short stories and non-fiction pieces for magazines. Titles include Black Lace Drag (1963) (reissued in 1965 as Killer in Drag), Orgy of the Dead (1965), Devil Girls (1967), Death of a Transvestite (1967), The Sexecutives (1968), The Photographer (1969), Take It Out in Trade (1970), The Only House in Town (1970), with Uschi Digard, Necromania (1971), The Undergraduate (1972), A Study of Fetishes and Fantasies (1973), and Fugitive Girls (1974) (In Nightmare of Ecstasy, Maila Nurmi declined Wood's offer to do a nude scene sitting up in a coffin for Necromania). In 1965, Wood wrote the quasi-memoir, Hollywood Rat Race which was eventually published in 1998. In it, Wood advises new writers to "just keep on writing. Even if your story gets worse, you'll get better", and also recounts tales of dubious authenticity, such as how he and Bela Lugosi entered the world of nightclub cabaret. In a December 2010 published article at Mondo Film & Video Guide, indie print publisher Feral House, who in the last few years had re-printed dozens of Wood's novels, ended sales on all Wood titles when Wood's estate requested a cease and desist due to uncertainty about whether Wood wrote all the novels published under his name or not. Personal lifeedit: Relationships and marriagesedit: Wood had a long-term relationship with actress and songwriter Dolores Fuller, whom he met in late 1952. The two lived together for time and Wood cast Fuller in three of his films: Glen or Glenda?, Jail Bait and Bride of the Monster. Fuller later said she initially had no idea that Wood was a crossdresser and was mortified when she saw Wood dressed as a woman in Glen or Glenda. The couple broke up in 1955 after Wood cast another actress in the lead role of Bride of the Monster (Wood originally wrote the part for Fuller) and because of Wood's excessive drinking. While making Bride of the Monster in 1955, Wood married Norma McCarty. McCarthy appeared as Edie, a stewardess in Plan 9 from Outer Space. The marriage was later annulled when McCarthy discovered that Wood was a cross-dresser. Wood married his second wife, Kathy O'Hara, in 1959. They remained married until Wood's death in 1978. Cross-dressingedit: In Wood's 1992 biography Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr., Wood's wife Kathy recalls that Wood told her his mother dressed him in girl's clothing as a child. Kathy stated that Wood's transvestism was not a sexual inclination, but rather a neomaternal comfort derived mainly from angora fabric (angora is featured in many of Wood's films, and Ann Gora also happened to be one of Wood's pen names). Even in his later years, Wood was not shy about going out in public dressed in drag as Shirley, his alter ego--female character (who also appeared in many of his screenplays and stories). Later careeredit: In 1969, Wood appeared in Love Feast (also known as Pretty Models All in a Row), the first of two films produced by a Marine buddy, Joseph F. Robertson, portraying a photographer using his position to engage in sexual antics with models. He had a smaller role in Robertson's second film, Mrs. Stone's Thing, as a transvestite who spends his time at a party trying on lingerie in a bedroom. In 1970, Wood made his own pornographic film, Take It Out in Trade, a softcore take on Philip Marlowe detective films, and Necromania the following year. In the 1970s, Wood worked with friend Stephen C. Apostolof, usually co-writing scripts, but also serving as an assistant director and associate producer. His last known on-screen appearance was in Apostolof's Fugitive Girls (aka Five Loose Women), where he played both a gas station attendant called "Pops" and a sheriff on the women's trail. Deathedit: By 1978, Wood's depression had worsened, and with it a serious drinking problem. He and Kathy were evicted from their Hollywood apartment on Yucca Street on Thursday December 7, 1978. The couple moved into the North Hollywood apartment of their friend actor Peter Coe. Wood spent the weekend drinking vodka. Around noon on December 10, Wood felt ill and went to lie down in Coe's bedroom. He asked Kathy to bring him a drink which she refused to do. He then yelled out, "Kathy, I can't breathe!", a plea Kathy ignored as she later said she was tired of Wood bossing her around. After hearing no movement from the bedroom, Kathy sent a friend to check on Wood who discovered him dead. Wood had suffered a fatal heart attack. Kathy later said, "I still remember when I went into that room that afternoon and he was dead, his eyes were wide open. I'll never forget the look in his eyes. He clutched at the sheets. It looked like he'd seen hell." Wood was cremated, and his ashes were scattered at sea. Wood's wife Kathy died on June 26, 2006, having never remarried. Legacyedit: In 1986, in an essay paying homage to Wood in Incredibly Strange Films, Jim Morton writes: "Eccentric and individualistic, Edward D Wood Jr was a man born to film. Lesser men, if forced to make movies under the conditions Wood faced, would have thrown up their hands in defeat." In 1994, director Tim Burton released the biopic Ed Wood, starring Johnny Depp in the title role and Martin Landau, who won an Academy Award for Best Supporting Actor for his portrayal of Bela Lugosi. It also won an Academy Award for Best Makeup for Rick Baker. The film received mass critical acclaim, but did poorly at the box office. It has since developed a cult following. In 1996, Reverend Steve Galindo of Seminole, Oklahoma, created a legally recognized religion with Wood as its official savior. Originally founded as a joke, the Church of Ed Wood now boasts over 3,500 baptized followers. Woodites, as Steve's followers are called, celebrate Woodmas on October 10, which is Ed's birthday. Numerous parties and concerts are held worldwide to celebrate Woodmas. On October 4-5, 2003,horror host Mr. Lobo was canonized as the "Patron Saint of late night movie hosts and insomniacs" in the Church of Ed Wood. In 1997, the University of Southern California began holding an annual Ed Wood Film Festival, in which student teams are challenged to write, film and edit an Ed Wood-inspired short film based on a preassigned theme. Past themes have included Rebel Without a Bra (2004), What's That in Your Pocket? (2005), Slippery When Wet (2006). In popular cultureedit: In the late 1980s and early 1990s, three of Wood's films (Bride of the Monster, The Violent Years, and The Sinister Urge) were featured on the television series Mystery Science Theater 3000, which gave those works wider exposure. Producers of MST3K considered including Plan 9, but found it had too much dialogue for the show's format. In 1998, Wood's previously unfilmed script I Woke Up Early the Day I Died was finally produced, starring Billy Zane and Christina Ricci. Outside of a brief New York theatrical engagement, the film did not receive a commercial release in the United States, and was only available on video in Germany due to contractual difficulties. In 2001, horror film director and heavy metal musician Rob Zombie released The Sinister Urge, which is named after Wood's film. In 2005, the Plan 9 cast were lampooned in an episode of the television series, Deadly Cinema; the following year, clips of this episode were featured in the documentary, Vampira: The Movie. In 2006, MST3K head writer and host Michael J. Nelson recorded an audio commentary track for a DVD release of a colorized version of Plan 9 from Outer Space. In 2009, Nelson and fellow MST3K alums Kevin Murphy and Bill Corbett mocked Plan 9 again in their very first RiffTrax Live event, coinciding with the film's 50th anniversary. In 2012, director John Johnson announced plans to film a remake of Plan 9 From Outer Space. Documentariesedit: Flying Saucers Over Hollywood: The Plan 9 Companion, was released in 1992. This exhaustive two-hour documentary by Mark Carducci chronicles the making of Plan 9 from Outer Space and features interviews with Maila Nurmi (Vampira), Paul Marco, Conrad Brooks, et al. In 2000, Image Entertainment included the documentary on the DVD reissue of Plan 9 from Outer Space (in a two-disc set with Robot Monster)., Ed Wood: Look Back in Angora, released in 1994 by Rhino Home Video, is a one-hour documentary on Wood's life and films. This includes rare outtakes and interviews with Dolores Fuller, Kathy Wood, Stephen Apostolof, and Conrad Brooks. Gary Owens narrates; Ted Newsom wrote and directed., The Haunted World of Edward D. Wood Jr., written and directed by Brett Thompson, came out in 1995. This documentary about the life and films of Ed Wood features interviews with Wood's friends and co-workers and closely resembles Wood's own style, albeit with slightly better miniatures., The Incredibly Strange Film Show presented by Jonathan Ross., Lost filmsedit: Wood's 1972 film The Undergraduate is considered to be a lost film, along with his 1970 film Take It Out in Trade, which exists only in outtakes without sound (released by Something Weird Video). Wood's 1971 film Necromania was believed lost for years until an edited version resurfaced at a yard sale in 1992, followed by a complete unedited print in 2001. A complete print of the previously lost Wood pornographic film The Young Marrieds was discovered in 2004. Collaborationsedit: Actingedit: Glen or, Glenda Crossroad, Avenger Jail Bait Bride of, the Monster Final, Curtain Plan 9 from, Outer Space Night of, the Ghouls The, Sinister, Urge Take It Out, in Trade Necromania Crossroads, of Laredo Criswell N N N Carl Anthony N N Conrad Brooks N N N N N N Kenne Duncan N N N Harvey B. Dunn N N N N Timothy Farrell N N Dolores Fuller N N N N Tor Johnson N N N Tom Keene N N Bela Lugosi N N N Dudley Manlove N N Paul Marco N N N Tom Mason N N Duke Moore N N N N N N Bud Osborne N N N N Lyle Talbot N N N N Ed Wood N N N N N N Otheredit: William C. Thompson was Wood's cinematographer for all but Take It Out in Trade., Frank Worth composed music for Bride of the Monster and Plan 9 from Outer Space.

Source: Wikipedia

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