Antony Hegarty (born 1971), often referred to simply as Antony, is an English singer, composer, and visual artist, best known as the lead singer of the band Antony and the Johnsons.
Antony was born in the city of Chichester, England, in 1971. In 1981 Antony's family moved to the San Francisco Bay Area in the United States. In 1990 she moved to Manhattan, New York to study at New York University, where she founded a performance art collective (Blacklips) with Johanna Constantine.
Entering a musical career, she began performing with an ensemble of NYC musicians as Antony and the Johnsons. Their first album, Antony and the Johnsons, was released in 2000 on David Tibet's label Durtro. Their second album, I Am a Bird Now (2005), was a commercial and critical success, earning Antony the Mercury Music Prize.
Antony Hegarty was born in Chichester,West Sussex, England, UK, in 1971. In 1977, her family moved to Amsterdam for a year, and then, in 1981, they moved to the San Francisco Bay Area of California where she grew up. As a teenager, she was influenced by Kate Bush as well as British synthpop - in particular, singers such as Marc Almond, Alison Moyet and Boy George, and was also strongly influenced by underground stars Diamanda Galás, Rozz Williams, Divine and Klaus Nomi and American singers including Nina Simone, Otis Redding, and Donny Hathaway. In 1990, Antony moved to Manhattan to attend the Experimental Theatre Wing of New York University, and founded the performance collective Blacklips with creative partner Johanna Constantine. She spent the next several years singing in after-hours bars and clubs using pre-recorded cassettes as self-accompaniment as well as writing and directing late night theatre productions.
Antony is transgender and uses feminine pronouns. In an interview with Flavorwire in November 2014 she stated "My closest friends and family use feminine pronouns for me. I have not mandated the press do one thing or another... In my personal life I prefer 'she'. I think words are important. To call a person by their chosen gender is to honor their spirit, their life and contribution. 'He' is an invisible pronoun for me, it negates me."
Antony and the Johnsons:
After being awarded a grant from New York Foundation for the Arts for the 1996 production of "The Birth of Anne Frank/The Ascension of Marsha P. Johnson" at Performance Space 122, Antony solicited accompanying musicians to record a number of songs she wrote in the early 1990s. The ensemble performed for the first time as "Antony and the Johnsons" at The Kitchen as part of William Basinski's installation "Life on Mars" in 1997. In 1999, the group began to perform more frequently at venues such as Joe's Pub and The Knitting Factory in New York City. British experimental musician David Tibet of Current 93 heard the recording and offered to release it through his Durtro record label; the debut album, Antony and the Johnsons, was released in 2000. In 2001, Antony released a follow-up EP through Durtro, I Fell in Love with a Dead Boy, which, in addition to the title track, included a cover of a David Lynch/Angelo Badalamenti song "Mysteries of Love", and a Current 93 song, "Soft Black Stars".
Antony and the Johnsons' 2005 album I Am a Bird Now featured guest performances by Lou Reed, Boy George, Rufus Wainwright and Devendra Banhart. The album was released in North America by Secretly Canadian Records and in Europe by Rough Trade. It received considerable praise and won the UK's prestigious Mercury Prize and was named Album of the Year by Mojo magazine. The band toured North America, Europe, Australia and parts of South America for a year and a half in support of I am a Bird Now. The song "Bird Gerhl" was featured in the soundtrack for the movie V for Vendetta.
Antony and the Johnsons collaborated with experimental film maker Charles Atlas and presented TURNING in Nov 2006 in Rome, London, Paris, Madrid, and Braga. The concert featured live video portraits of some of New York City's most enigmatic women. The Guardian called the piece "fragile, life affirming, and truly wonderful (five stars)"Le Monde in Paris hailed TURNING as "Concert-manifeste transsexuel."
Antony and the Johnsons' 5-song Another World EP was released on 7 October 2008. Antony and the Johnsons' third album, The Crying Light, was released on 19 January 2009. The album peaked at number 1 on the European Billboard charts. Antony has described the theme of the album as being "about landscape and the future." The album was mixed by Bryce Goggin and includes arrangements by Nico Muhly. Ann Powers wrote of The Crying Light for the LA Times online, "it's the most personal environmentalist statement possible, making an unforeseen connection between queer culture's identity politics and the green movement. As music, it's simply exquisite - more controlled and considered than anything Antony and the Johnsons have done and sure to linger in the minds of listeners."
After touring throughout North America and Europe in support of their new album, Antony and the Johnsons presented a unique staging of "The Crying Light" with the Manchester Camerata at the Manchester Opera House for the 2009 Manchester International Festival. The concert hall was transformed into a crystal cave filled with laser effects created by installation artist Chris Levine. Antony and the Johnsons have gone on to present concerts with symphonies across Europe in Summer 2009, including the Opera Orchestra of Lyon, the Metropole Orchestra, Roma Sinfonietta and the Montreux Jazz Festival Orchestra. At Salle Playel in Paris, Antony appeared in a costume designed by Riccardo Tisci of Givenchy.
Fall 2010 saw the release of Thank You For Your Love EP and in October the full-length album Swanlights on Secretly Canadian and Rough Trade. Abrams Books also published a book edition of Swanlights featuring Antony's drawings and collages with photography by Don Felix Cervantes. At the end of October Antony performed a special concert in New York City at Lincoln Center to commemorate the life of Kazuo Ohno who had died in June 2010.
In January 2011, Antony was a guest on "Winterguest", a program on Dutch Television's VPRO channel and was interviewed by Leon Verdonschot discussing her political and ecological viewpoints in reference to different film clips.
Antony performed at the TED conference in Long Beach in 2011 in a session on "Radical Collaboration".
In January 2012, Antony and the Johnsons were presented by the Museum of Modern Art at Radio City Music Hall in "Swanlights", a collaboration with laser artist Chris Levine and set designer Carl Robertshaw. The performance was heralded by the New York Times in a review by Jon Parales entitled "Cries From the heart, Crashing Like Waves." This collaboration was also staged at the Royal Opera House in London in 2013 and at Teatro Real in Madrid in 2014.
Antony and the Johnsons released a live symphonic album in August 2012 entitled Cut The World featuring the Danish Radio Orchestra. The album features a spoken track called "Future Feminism" in which Antony elaborates on her view of the connection between feminism and ecology. A video for the song "Cut the World" directed by Nabil features Willem Dafoe, Carice Van Houten and Marina Abramović.
Antony was "guest of honor" at the Melbourne Festival in October 2012, presenting a restaging of "Swanlights", as well as screening Charles Atlas' TURNING, Lynette Wallworth's Coral: Rekindling Venus, and presenting PARADISE, an exhibition of Antony's drawings and collages.
On 23 February 2015, Antony announced her fifth album Hopelessness via the Antony and the Johnsons' website and Facebook account. Co-produced by Antony, Oneohtrix Point Never and Hudson Mohawke, it is her first album to be released under the name Anohni. In the announcement, Antony described the album as "an electronic record with some sharp teeth".
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