Albert Verrecchia (a.k.a. Albert Weyman/Albert Prince) is a French-born keyboard player, composer and music producer, longtime resident and working in Italy.
Life and career:
The beginnings: Evy and "I Pyranas":
Born in Paris and raised in a family of musicians, Albert Verrecchia started very young with his sister Evy (Évelyne) who was already recording. He got a band together for her in Paris, "Les Problèmes" and then joined "Vigon et les Lemons", a R&B ensemble with an awesome horn section, that eventually became Evy's backing group.
Then Evy had them all move to Italy, where she got some popularity with the single "L'Abito Non Fa il Beatnik" (1966) - Italian cover of Jackie Edwards' and "Spencer Davis Group"'s 1965 UK number one hit "Keep on Running" - and they started playing live in most of night clubs, both in Italy and in France as well as in North Africa, especially at the 'Titan Club' in Rome and at 'Bus Palladium' in Paris.
As "The Lemons", furthermore, Evy's backing group featuring Albert backed Chuck Berry in his French concerts and got credits on Evy's 3rd Italian single "Domani il Mondo Sarà nelle Nostre Mani". In that period Verrecchia also toured with Italian star Raffaella Carrà.
Later, in Rome, popular black jazz singer Rocky Roberts who had just split with "The Airdales" to go solo, chose the best musicians he could find in Paris to back him up, and one of the most influential Italian beat bands was born, "I Pyranas". Verrecchia played the Würlitzer Piano and a Hammond M3 with incorporated Leslie, while Alex Ligertwood was on vocals and André Ceccarelli on drums,. Later Robbie McIntosh (former drummer of Average White Band who later worked a lot with Santana) and Steve Ferrone also played in the group. Left Rocky Roberts, "I Pyranas" continued solo for several years with three successful albums released on RCA's ARC subsidiary label - "Tanti Successi per i Pyranas" (1968), "Motivi di Ieri, Successi di Oggi" (1969), "Giulietta e Romeo" (1970).
When they disbanded, Verrecchia began with a series of collaborations with many then up-and-coming artists, among these Alan Sorrenti - Albert produced his debut album "Aria" (1972) contributing also as keyboardist and arranger using the alias "Albert Prince" - and Renato Zero - Verrecchia played keyboards and did arrangements on his first album, "No! Mamma, no!" (1972) - before mostly dedicating himself to write and direct film soundtracks in the following years.
And in film soundtracks Verrecchia delivered what are regarded as his most interesting works to date, with "Tecnica di un Amore" (1973), which he composed for a still rather obscure Italian erotic drama directed by late Brunello Rondi and starring Janet Ågren alongside Erna Schurer and Silvano Tranquilli, standing as his most praised outcome. This record combines a variety of styles, dramatic orchestral, Morricone-esque wordless vocals, cool flute and harpsichord based tunes, lounge and jazz-type arrangements, and much, much more, for a genuinely remarkable listening experience. "Tecnica di un Amore" got a first vinyl release in 1973 by the Naples B.B.B. Records label and was later reprinted on LP and CD in 2000 by Moving Image Entertainment.
Another Verrecchia highlight is the recently rediscovered "Roma Drogata: La Polizia Non Può Intervenire" (also known as "Il Buio nel Cervello" and "Hallucination Strip"), from a 1975 drugs themed movie starring Bud Cort, Patrizia Gori, Annarita Grapputo, and directed by Lucio Marcaccini. In this atypical and almost avant-garde work - that never got a public release till 2007 (on Cinedelic GDM label CD, thanks to Associazione Culturale Escalation's interest) - opposite from most of film soundtrack composers active in the mid 70s, Verrecchia made use of electric sounds instead of canonical orchestral arrangements, mixing soul, hard rock, blues style, experimental vocals and percussions, with heavy psychedelic influences.
For the instrumental part, Verrecchia recruited a group of young players: Cyan - an italo-English quartet formed by George Sims (guitars), Roger Smith (bass), Alberto Visentin (keyboards) e Franco Di Stefano (drums) derived from a former Patty Pravo backing band - the Baba Yaga - a female vocal trio who worked for RCA and had already backed singer-songwriters like De Gregori (in "Alice Non Lo Sa", 1973) and Dalla (in "Anidride Solforosa", 1975) singing as well in a few soundtracks by Guido & Maurizio De Angelis like "...Altrimenti ci Arrabbiamo!" (1974), in the famous track "Dune Buggy"), a gifted and still unknown percussionist and composer from Naples named Toni Esposito, and the TV popular singer and dancer Sammy Barbot, plus a veteran, Ennio Morricone's vocal diva Edda Dell'Orso.
"Roma Drogata: La Polizia Non Può Intervenire", both film and record, open with "We've Got a Lord", a soul ballad interpreted by Sammy Barbot featuring Baba Yaga. This charismatic song that we listen not only in open and closing titles but also with different arrangements in other moments of the movie, wasn't really written by Verrecchia himself but by his sister Évelyne who credited herself from this period on as '"Évelyne Lenton"'. Surprisingly the film opens showing the actual recording sessions of "We've Got a Lord", hence we get an exquisite period studio sketch of Sammy Barbot, Cyan, Baba Yaga and of course Maestro Albert Verrecchia. Other Verrecchia scores include: "Un Fiocco Nero per Deborah" (Marcello Andrei, 1974), "Prigione di Donne" (Brunello Rondi, 1974) and "Il Tempo degli Assassini"
in questo periodo incide la colonna sonora originale del film: Il tempo degli assassini, per la CAM, Casa discografica, Via Virgilio, 8 Roma. Etichetta: CAM AMP 165. Titoli: Season of assassins - Gang leader. Edizioni Musicali CAM . Produzione: GIuseppe Giacchi. Copertina: Umberto Iacolucci, grafico impaginatore di TV sorrisi e canzoni.,
(Marcello Andrei, 1975).
In 1976, Verrecchia turned his music interests toward the emerging sexydisco euroscene and started his own record productions under the pseudonym "Albert Weyman" releasing the single "Le Chat (La Chatte à la Voisine)", tragicomically banned on Italian radio, but regularly programmed on Vatican State Radio until they had the lyrics double meaning translated... What followed in Verrecchia's mind was the idea of a glittering disco trio led by Evy, who with two black chorists, Marcia Briscoe from Atlanta and Jusy Fortes from Cape Verde, formed "Belle Epoque".
Their first success was with '"Miss Broadway"' which Albert wrote himself, but the real exploit came in 1977, when the trio score a major European hit with a disco-fied remake of a big success of the decade before, "Black Is Black" by "Los Bravos". The "Belle Epoque" version was a top ten hit in many European countries, including number 2 in the UK Singles Chart (the same chart position that Los Bravos' original had reached there eleven years earlier). The song also became a number 1 hit in Australia in 1978, while in the States "Belle Epoque" were better known for "Miss Broadway", which charted at number 26 on the U.S. R&B chart and at number 92 on the Billboard Hot 100 in 1978. Incidentally both songs rose to number 21 on Billboard's "National Disco Action Top 40" chart in summer 1977.
After "Black is Black" Verrecchia and "Belle Epoque" followed with a number disco successful productions into the late 1970s, "Bamalama" (1978), "Let Men Be" (1978), "Com'On Tonight" (1978), "Now" (1979), "Jump Down" (1979), and even a dance version of Bobby Solo's "Una Lacrima sul Viso" (1978).
At the principle of 1980s the disco boom was over, and after so many years of intense work Verrecchia decided to take a pause, reducing his musical activity. While Évelyne Lenton began recording solo again in 1982, contributing with her vocals both in English and French productions till the end of the decade, her brother bought a boat, the 'Silver Maid', Scottish, all in teak, which had been Susan Stafford's - where he even managed to enter a grand piano! - and opened an exclusive disco club, the "Superstar", in Nice, French Riviera.
In 2011 Albert Verrecchia is dedicating to music again (and again under the moniker "Albert Weyman"), forging a modern, updated style, which he describes as a blend of electronica, new age, house and progressive.
1973 - "Tecnica di un Amore"
Taken from the 1973 movie directed by Brunello Rondi.
Original 1973 release on LP BCLB 0003 and 7 inches BSB 0007 on B.B.B. Records Naples Italy label . 2000 LP and CD reprint on Moving Image Entertainment Italy label MIE 005.
1974 - "Un Fiocco Nero per Deborah" (a.k.a. "A Black Ribbon for Deborah")
Taken from the 1974 movie directed by Marcello Andrei.
1974 7 inches release on Kansas Italy label KANSAS 5100 402.
1974 - "Prigione di Donne"
Taken from the 1974 movie irected by Brunello Rondi.
2011 CD release on Beat Records Company Italy label DDJ009 in 2011. Limited edition 500 copies.
1975 - "Roma Drogata: La Polizia Non Può Intervenire" (a.k.a. "Il Buio nel Cervello" / "Allucinating Trip" / "Hallucination Strip")
Taken from the 1975 movie directed by Lucio Marcaccini.
2007 CD release on Cinedelic GDM Music Italy label GDM 4011. Limited edition 500 copies.
1975 - "Il Tempo degli Assassini" (a.k.a. "Season for Assassins")
Taken from the 1975 movie directed by Marcello Andrei.
1975 7 inches release on CAM Italy label CAM AMP 165. Instrumental versions of both the tracks "Gang Leader" (Performed by 'The Killers') and "Season of Assassins" (Performed by 'Sammy Barbot') are included in Verrecchia's 1977 library Album "RITMICO MODERNO" CAM CML 131.