Alan Christie Wilson (July 4, 1943 - September 3, 1970) was the leader, singer, and primary composer in the American blues band Canned Heat. He played guitar and harmonica, and wrote several songs for the band.
Wilson was born in Boston, Massachusetts and grew up in the Boston suburb of Arlington, Massachusetts. He majored in music at Boston University and often played the Cambridge coffeehouse folk-blues circuit. He acquired the nickname "Blind Owl" owing to his extreme farsightedness; in one instance when he was playing at a wedding, he laid his guitar on the wedding cake because he did not see it. As Canned Heat's drummer, Fito de la Parra, wrote in his book: "Without the glasses, Alan literally could not recognize the people he played with at two feet, that's how blind the 'Blind Owl' was." Wilson wrote for a newspaper in Boston and was considered one of the foremost experts on the blues musicians who came before him. A dedicated student of early blues, his biggest influences included Skip James, Robert Johnson, Son House, Charley Patton, Tommy Johnson, John Lee Hooker, Muddy Waters and Booker White. James was the most exalted figure in Wilson's personal music journey. In high school, Wilson studied James' 1931 recordings with great fascination. It was around that time Wilson began singing similar to James' high pitch. Wilson eventually perfected the high tenor, for which he would become known.
With Canned Heat, Wilson performed at two prominent concerts of the 1960s era, the Monterey Pop Festival in 1967 and Woodstock in 1969, and at the Isle of Wight festival in 1970 (his last appearance). Canned Heat appeared in the film Woodstock, and the band's "Going Up the Country," which Wilson sang, has been referred to as the festival's unofficial theme song. Wilson also wrote "On the Road Again," arguably Canned Heat's second-most familiar song.
Wilson was a passionate conservationist who loved reading books on botany and ecology. He often slept outdoors to be closer to nature. In 1969, he wrote and recorded a song, "Poor Moon", which expressed concern over potential pollution of the moon. He wrote an essay called 'Grim Harvest', about the coastal redwood forests of California, which was printed as the liner notes to the Future Blues album by Canned Heat.
After Eddie 'Son' House's 'rediscovery' in 1964, Wilson taught him how to play again the songs House had recorded in 1930 and 1942 (which he had forgotten over a long absence from music); House recorded for Columbia in 1965 and two of three selections featuring Wilson on harmonica and guitar appeared on the set. On the double album Hooker 'N Heat (1970), John Lee Hooker is heard wondering how Wilson is capable of following Hooker's guitar playing so well. Hooker was known to be a difficult performer to accompany, partly because of his disregard of song form. Yet Wilson seemed to have no trouble at all following him on this album. Hooker concludes that "you Wilson musta been listenin' to my records all your life". Hooker is also known to have stated "Wilson is the greatest harmonica player ever"
Stephen Stills' song "Blues Man" from the album Manassas is dedicated to Wilson, along with Jimi Hendrix and Duane Allman.
Wilson died alone in his camper in the woods of Topanga Canyon, California on September 3, 1970, at age 27. After an autopsy, his death was listed as acute barbiturate intoxication. Wilson reportedly attempted suicide a few months earlier, attempting to drive his car off a freeway in Los Angeles. He was briefly hospitalized for depression, but released after only a few weeks. Although his death is sometimes reported as a suicide, this is not clearly established and he left no note. Wilson's death came just two weeks before the death of Jimi Hendrix and four weeks before the death of Janis Joplin.
Wilson was interested in preserving the natural world, particularly the redwood trees. When he died so too did the Music Mountain organization he had initiated dedicated to this purpose. In order to support his dream, Wilson's family has purchased a "grove naming" in his memory through the Save the Redwood League of California. The money gifted to create this memorial will be used by the League to support redwood reforestation, research, education, and land acquisition of both new and old growth redwoods.